Selective colourization can be done totally in colour without resorting to black and white or sepia. Skies can be changed from blue to sunset or even night time. This is a blue sky.
Tegan
This is a discussion on Selective Colourization in colour within the Critiques forums, part of the Photography & Fine art photography category; Selective colourization can be done totally in colour without resorting to black and white or sepia. Skies can be changed ...
Selective colourization can be done totally in colour without resorting to black and white or sepia. Skies can be changed from blue to sunset or even night time. This is a blue sky.
Tegan
"Photographic art requires the technical aspects of photography and the design aspects of art, both at an outstanding level."
could you post the blue sky shot as well, to compare? were the clouds in the original? can you describe your technique & progams used? thanks
Well, I was fast and rough with the post and some white that does not belong still needs to be taken out as well as more details attended to in the sunset orange version, but nevertheless here is the original.
Basic technique was straightening the photo, brightening selectively the dark areas, adding a little sharpening in the distance and using a graduated orange filter controlling the vertical effect in the software. The filter is a plug-in to Photoshop or PaintShop Pro, although one can be created in Photoshop in a layer and then merging it with the photo.
Tegan
"Photographic art requires the technical aspects of photography and the design aspects of art, both at an outstanding level."
I quite like this colourized shot and i like the colour of the sky.
My main critique would be the houses on top. They seem to call attention to themselves and I'm guessing it's due to oversharpening but I'm not sure..
added after - ok now that i see the original they look oversharpened.
Thanks for sharing the technique!
Last edited by Marko; 08-07-2008 at 10:18 AM.
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
I hope it was okay to do this but it's easier then describing it.
I'll delete the post if you feel i overstepped.
It's this entire area that doesn't mesh with the rest of the photo in my opinion....that portion has an 'etching' feel whereas the rest of the photo looks like a photo.
Last edited by Marko; 08-07-2008 at 10:35 AM.
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
I really like the first shot.... very warm and pleasing....
I think the effect on the structures is tone mapping... is it??
Anyways.... I think the image works well....good job...
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Ok, gottcha! I'm finding that different cameras require a slightly different approach to sharpening and picture noise. I may try some different software for this one that provides more control and variations.
By the way, no problem with the post or photo edit at all. Sometimes it is easier to explain through showing by means of an edit.
Tegan
"Photographic art requires the technical aspects of photography and the design aspects of art, both at an outstanding level."
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