of course anyone else is welcome to give an opinion too
I think that this is the crop that you both had in mind but let me know if I'm wrong.
This is a discussion on For Iggy and Marko.. within the Critiques forums, part of the Photography & Fine art photography category; of course anyone else is welcome to give an opinion too I think that this is the crop that you ...
of course anyone else is welcome to give an opinion too
I think that this is the crop that you both had in mind but let me know if I'm wrong.
Feel free to make comments on any of my shots
my blog: http://bambesblog.blogspot.com/
My flickr photostream: http://www.flickr.com/photos/bambe1964/
A painter takes their vision and makes it a reality. A photographer takes reality and makes it their vision.
Hmmmm now I'm not sure
Can I try a crop from the original?
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
Feel free to make comments on any of my shots
my blog: http://bambesblog.blogspot.com/
My flickr photostream: http://www.flickr.com/photos/bambe1964/
A painter takes their vision and makes it a reality. A photographer takes reality and makes it their vision.
If people think I'm wrong please tell me so.
I prefer this crop....what do you think bambi? I DO like the enlarged cone in this thread but I kept the dimensions the same as your original.
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
you know Marko, I like this crop.
thanks.
Feel free to make comments on any of my shots
my blog: http://bambesblog.blogspot.com/
My flickr photostream: http://www.flickr.com/photos/bambe1964/
A painter takes their vision and makes it a reality. A photographer takes reality and makes it their vision.
They're two different moods, and I like them both. The first puts a real focus on the pine cone. In the second, your eye is led from the main one to the one peeking above the needles to the right.
Last edited by QuietOne; 04-27-2010 at 12:59 AM.
Nope ... I'm sticking with the original. And I mean the original from this thread http://www.photography.ca/Forums/f2/pine-cone-9004.html
I can see the thinking here and do think it's sound ... but this crop has lost that immediate sensation I got of tippy toe'ing up to see over the branch that the original gave me.
This one has actually made too much of a feature of the pine cones I think whereas the original allowed the depth of the tree and bokeh to be just as important.
To be honest Marko, I don't see the point. Normally I'd crop things when I want to remove elements I don't want in the frame. Or if I want to draw extra attention to a subject by making it bigger inside the frame. But in this case I fail to see what's been added by cropping. Can you please tell me why you think this crop adds to the picture.
Listen, three eyes, don't you try to outweird me, I get stranger things than you free with my breakfast cereal.
As I said in the original thread I think the cropping/composition is starting to fall into the "art" category so with this particular subject there is really no right or wrong but different shades of like/dislike.
The branches on the left and right lead your eye to the pine cone in the centre. We've kept the beautiful bokeh in the background. I do wish I had a smidgen more foreground to work with but generally this is my kind of shot.
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