In this one all I did was mess with the saturation and cropped it a little.
This is a discussion on Masterlock within the Critiques forums, part of the Photography & Fine art photography category; In this one all I did was mess with the saturation and cropped it a little....
In this one all I did was mess with the saturation and cropped it a little.
The magic of photography is metaphysical. What you see in the photograph isn't what you saw at the time. The real skill of photography is organized visual lying. - Terence Donovan
Feel free to edit my photos, Just be kind enough to let me know what you did to it.
Sony A350
Sony 18-70 3.5 - 5.6
Minolta 50 1.7
Minolta 70-210 4.5 - 5.64
Good job. About the only critique I have on this one is the lock gets a bit close to the right frame.
For me, I like to see things either have a bit of room OR be cut off difinitively. I don't like main subjects to be cramped against the sides of the photo or have a small section cut. Both look like they are over-sights or mistakes.
a reflector would help (I've got one on my list, too) but I don't think the cramped composition is a bad thing with this subject. The lock itself is a constraint and the cable through it looks rather tight, so the boxed-in feeling complements things in my opinion.
again looking from laptop...but
This composition works for me and I think this shot rocks
Can't even be sure this is 100% right (crappy laptop) gotta get a new one one day.... But perhaps both the master in blue and the lock itself could be burned in(left side only) and sharpened by 10-15% to make it pop a bit more. Just a though.
Hope that helps - Marko
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Nice intesresting finding. I liked the color here
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