Well, I think if I can crack this nut then it'll be another tool in my camera bag. The tougher the subject the more you learn. So, yes! I will be very happy to capture this tree/fence combo in an interesting way.
This is a discussion on Iguanasan's Nemesis within the Critiques forums, part of the Photography & Fine art photography category; Well, I think if I can crack this nut then it'll be another tool in my camera bag. The tougher ...
Well, I think if I can crack this nut then it'll be another tool in my camera bag. The tougher the subject the more you learn. So, yes! I will be very happy to capture this tree/fence combo in an interesting way.
I forget what the other shot looks like.....can you throw a link in here Iggy.
I'm not crazy about this version though I realize this is a tough shot.....(I may have an idea if I see the other tries)
good on you for wanting to tackle this beast
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
Here's the first attempt: http://www.photography.ca/Forums/f2/...ture-3376.html This is the only other one I've posted.
I think I can confidently say that this one is better but I still have some work to do
What about a straight on shot?
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
It looks like there's a similar thing going on on another tree behind it from the first shot.
What about a wider angle?
Try from the other side of the fence too maybe?
If it were me i'd have a first go at it at every angle possible and see what shot works best. Then I'd try it with different times of the day for lighting...not like it's going anywhere anytime soon...lol!
good luck...here's your project!
"Life is like photography, we develop from the negatives"-anonymous
My website: www.albertaandbeyond.com
I'd also autobracket 2 shots of it and pop it into and HDR to see what else happens...i realize your not a big fan but you never know what you might come up with and you can do HDR so it's not over the top.
"Life is like photography, we develop from the negatives"-anonymous
My website: www.albertaandbeyond.com
Now, give some thoughts to why you think this subject would make a good picture. What is it you like about it? Now my guess it's the unusual way that tree grows that caught your eye in the first place.
So how to make an interesting picture of it. First of all, it needs to be noticed. You need to make sure people notice it too when they see the picture. You've succeeded in that pretty good so far.
But that's not enough. A good and clean registration will make people look once and think "nice", and then move on. That, you don't want. You want people to have a second look at it. Or more...
So you have to challenge them. Make them think about the subject. Wonder why it is the way it is. Make it interesting...
But how to make it more interesting? Removing distractions is always a good way to center the eye on the subject. Distractions can be messy stuff in the background, but can be other things as well. In this case, think color. It aren't the colors that are interesting, it's the lines the tree makes. So, why not remove the color? Turning it B/W could make for nicer shots...
Another thing is to take the picture at an unusual angle. If people don't immediately recognize the object, but it intrigues them, they look twice. So, get on your knees, climb up the tree, anything. But show the tree without making it obvious that you're showing a tree. It's already unusual, so make it more unusual. Get creative with it!
Like I said, I'm sure you can make a really good picture out of this. This is the way we learn...
Crap, this here all does sound a bit "new age". It's all true though. And I'm not on drugs... at least for now...
Listen, three eyes, don't you try to outweird me, I get stranger things than you free with my breakfast cereal.
I'm just throwing this out there but what about if you had a large piece of fabric behind a portion of the tree and fence. That might eliminate all the background distractions and make it look like a 'studio' shot. Maybe use a telephoto lens and capture a smaller potion of the image so the fabric doesn't have to be too large. just a thought.
- Please connect with me further
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- Check out the photography podcast
"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
Thanks for the ideas. I'm just waiting for the weather to cooperate now.
Corey Kaye
We're all looking to improve, be honest, i can take it.
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