1/40s
F8
ISO 100
1/125s
F8
ISO 100
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This is a discussion on two more within the Critiques forums, part of the Photography & Fine art photography category; 1/40s F8 ISO 100 1/125s F8 ISO 100...
1/40s
F8
ISO 100
1/125s
F8
ISO 100
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Last edited by Misty-Bug; 01-30-2008 at 03:01 PM.
Just an FYI - it is much better to use descriptive titles for the shots. Titles like one more or two more are a bit vague...thanks![]()
These shots have some problems IMO
Shot 1 - is well exposed but doesn't seem to have a focal point or center of interest. My eye is not being guided anywhere.
Shot 2 - shows that your camera sensor is dirty. Again there is a lack of a focal point here IMO. Your other shot of the bird in the tree more...sorry
is much better IMO - it has a way better flow to it and the bird has a visible form.
Hope that helps,
Marko
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
how do I clean my camera sensor? It was snowing at the time. and yes I see what you mean by the titles. Thanks! Still learning the forum. LOL
Hmm I guess it is possible that the falling snow looks like a dirty sensor...If shots right after that one do not show those marks in the same place, it was probably falling snow.
Every camera is different when it comes to cleaning the sensor. Check your manual to see if yours has a setting. If it does not, when you remove the lens, if you take a plastic or rubber blower and gently blow some air (without touching anything) into the camera's interior - that will also usually do the trick. Definitely check the camera manual though...
Best
Marko
- Please connect with me further
Photo tours of Montreal - Private photography courses
- Join the new Photography.ca Facebook page
- Follow me on Twitter http://twitter.com/markokulik
- Follow me on Google+ https://plus.google.com/u/0/111159185852360398018/posts
- Check out the photography podcast
"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
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