A couple of things I'd say, which aren't immediately obvious when we're new (we've all been there!
The camera has a lower dynamic range than the eye. That means that, when you're standing there with a super bright source and foreground detail, is that the camera cannot capture all that. If you expose for the bright source, the foreground becomes almost a silhouette. If you expose for the foreground, the sky becomes completely white and blown out. In this way, you can't have you cake and eat it, so to speak
So - knowing that, try to avoid those situations where there is such an extreme light dynamic - ie don't shoot into the sun. (Like all things, there are exceptions, of course!)
Secondly, here is a useful technique. Ok, say you're taking the picture you posted, which is fine, and composed perfectly well. Take the shot. Ok. Now you've taken the easy shot, force yourself to get three more shots out of the scene. This will make you hunt around for interesting subjects, framing, angles, and composition.
So for example, you might get down very low and make the foreground rocks more imposing, with a little sun peeking out from behind them as shot 1. Perhaps zooming in and focusing on one of the bushes, with a glint of sunlit water behind them as shot 2. And then, maybe zooming in on the water on the edge of the reflections, angling the camera a little, and taking a beautiful textural water shot.
Forcing yourself to find extra shots in the scene is a really useful technique that can help you move beyond the obvious shot, and find some real creativity and spectacular images.
Seeing the opportunities has been quite a learning curve for me too - but once you've unlocked that side of your brain, before long you too will be lining up the obvious shot and finding it unsatisfying, and go hunting for something unique.
That's where a lot of the enjoyment comes in (at least for me). Of course, it all depends on what you want to get out of your photography. But I'd suggest to at least try this technique a few times...
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