C&C please
thanks!
This is a discussion on Park Portrait within the Critiques forums, part of the Photography & Fine art photography category; C&C please thanks!...
C&C please
thanks!
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
IMO i think that the Left shoulder has too much light and steers you away from the man's face and a possible secondary focal point of his hands.
The image makes curious about the man...his hardships, his pains, his joys and triumphs.
I agree with tomorrowstreasure but would also add it seems to lack a bit of definition in the facial area. His character lines seem muted.
“I take photographs with love, so I try to make them art objects. But I make them for myself first and foremost - that is important.” Jacques-Henri Lartigue
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I would like to see his eyes brighter.
Tegan
"Photographic art requires the technical aspects of photography and the design aspects of art, both at an outstanding level."
This is a shot that I felt had a lot of potential but in the end just did not work that well. It's a shot of a stranger that I took in under 45 seconds (with his permission). I took it under terrible lighting conditions and had no fill flash (to balance the exposure). I worked on it a bit (dodging and burning) but I am left unsatisfied.
Thanks all - Marko
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
so i'm guessing you did dodging to his face? it seems a little disconnected from his body. the jacket is dark & shadowed, but his face is light. maybe it's that white beard, but i feel like his head is not fitting with his body.
~Morgan
Family photography in Durham, NC
I like it. The big distraction is his right eye and the edge of his hat. I think post processing( more burning). Maybe sepia would work.
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My mistake has been seeking new landscapes. I should have been seeking new light.
i really like it
With some more post processing, this could turn out to be a really nice photo. One solution could be to isolate him from the background and work with levels on just him, as well as some dodging and burning.
I think that this is a great photo. The dark face suits the mood. I particularly like the way that the elbows are cropped. The only thing I don't like is that the 'old man in the park' seems like a photographic cliche.
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