Another early morning this morning ... light painting
This is a discussion on Painting a Wreck within the Architecture & Man Made (cities, buildings, roads, objects & abstracts) forums, part of the Show your photo (Color) - Landscape & Nature (flowers, mountains, storms etc.) category; Another early morning this morning ... light painting...
very nice. I like the effect of light painting, it doesn't seem to be as harsh as flash.
I have a question though: isn't the metal wreck rusting there an environmental hazard?
Feel free to make comments on any of my shots
my blog: http://bambesblog.blogspot.com/
My flickr photostream: http://www.flickr.com/photos/bambe1964/
A painter takes their vision and makes it a reality. A photographer takes reality and makes it their vision.
Feel free to make comments on any of my shots
my blog: http://bambesblog.blogspot.com/
My flickr photostream: http://www.flickr.com/photos/bambe1964/
A painter takes their vision and makes it a reality. A photographer takes reality and makes it their vision.
Feel free to make comments on any of my shots
my blog: http://bambesblog.blogspot.com/
My flickr photostream: http://www.flickr.com/photos/bambe1964/
A painter takes their vision and makes it a reality. A photographer takes reality and makes it their vision.
I enjoy these as well. So, let me see if I understand what you are doing because I think I know but I want to make sure. You set up the shot on a tripod and go for a 5/10/20/30 second exposure and then walk around - careful to stay out of frame, and shine a torch or fire the flash at the object you are shooting?
I definitely like the results. It's very nice stuff.
Yeh ... pretty much.
Sometimes I get these in single shot ... sometimes I have to combine several shots.
Exposure time varies of course.
I use very bright lights ... about 400 lumen at least I think they are.
I avoid walking into the shot if I can and simply shoot over the top of the camera.
If you do need to walk in you need very dark conditions, very dark clothes, avoid silhouetting yourself against the lighter sky, and avoid letting the camera 'see' the torch/light head.
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