Not really. I am playing around with my studio slave flashes and he volunteered to be my subject. I still have some bugs to work out. They fire when my built it blinks while focusing.
huskie by Theantiquetiger, on Flickr
This is a discussion on I feel Canadian!!! I photographed a Huskie like HBG did!!! within the Architecture & Man Made (cities, buildings, roads, objects & abstracts) forums, part of the Show your photo (Color) - Landscape & Nature (flowers, mountains, storms etc.) category; Not really. I am playing around with my studio slave flashes and he volunteered to be my subject. I still ...
Not really. I am playing around with my studio slave flashes and he volunteered to be my subject. I still have some bugs to work out. They fire when my built it blinks while focusing.
huskie by Theantiquetiger, on Flickr
Last edited by theantiquetiger; 02-17-2014 at 04:06 PM.
"The worst thing about taking a great image is that your next one has to be better!"
In this second image, I used my speedlite in manual turned way down and directed off the subject. It worked a lot easier.
huskie2 by Theantiquetiger, on Flickr
"The worst thing about taking a great image is that your next one has to be better!"
worked easier but look at the difference between 1 and 2.
The light on the subject is superior in shot 1. Shot 2 looks flat.
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
"The worst thing about taking a great image is that your next one has to be better!"
you will quickly learn that the position of the lights is just as important as the settings.
IMO there are no optimal settings unless you are doing the same thing over and over with the identical lighting setup. (ie catalog photography with the same lighting pattern and d.o.f. that never changes)
Keep in mind the aperture helps control depth of field, the shutter helps control the existing light. The ISO can also change of course.
Given that the existing lighting will be changing from shoot to shoot, the settings are fairly meaningless unless you want the same look with the same subject for every shoot.
More important than the settings imo is the ratio of main light to fill light(s) to background AND the quality (hard light - soft light) of those lights.
A good starting place to play begins with one light. Make it harsh then make it soft. keep doing this while changing the position of the light relative to your subject.
Don't add that second light till u feel comfortable with 1 light. Loads of extremely cool portraits and shooting can be done with 1 light.
Then add the second light - usually a fill light. Start with the fill at the identical power as the main light from position A. Then lower it one stop, then 2 stops, then 3 stops. A classic portrait starting setup might be the main light 45 degrees to your subject and the fill light at camera position.
Hope that may help.
Maybe I should do a podcast on this...
- Please connect with me further
Photo tours of Montreal - Private photography courses
- Join the new Photography.ca Facebook page
- Follow me on Twitter http://twitter.com/markokulik
- Follow me on Google+ https://plus.google.com/u/0/111159185852360398018/posts
- Check out the photography podcast
"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
My first human testing with my slave flashes, I am quite pleased (just used the same settings as #1 from above)
morgan burrito by Theantiquetiger, on Flickr
"The worst thing about taking a great image is that your next one has to be better!"
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