Pho­tog­ra­phy pod­cast #116 fea­tures an inter­view with Ger­man land­scape pho­tog­ra­pher Michael Bre­itung where we talk about why and how to do focus stack­ing in pho­tog­ra­phy. Basi­cally focus stack­ing involves tak­ing mul­ti­ple frames of the same scene but each frame is focused at a dif­fer­ent part of the image. Then these frames are blended together using a graph­ics pro­gram like Gimp (free) or Pho­to­shop (expen­sive). The result is sharp­ness and depth of field on steroids that can’t be matched by any cam­era lens com­bi­na­tion on a 35mm DSLR cam­era at the time of this writ­ing.  Only tilt shift lenses can com­pete in this extreme sharp­ness arena, but those lenses require many saved dol­lars or a rich uncle. This tech­nique is free if you have the skills and a graph­ics program.

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Links /resources men­tioned in this pod­cast:
Michael Bre­itung Pho­tog­ra­phy
Michael Breitung’s (advanced) start to fin­ish tuto­r­ial on his (Lightroom/Photoshop) post-processing work­flow and how he cre­ated the Bloody Cause­way image.
Heli­con Focus image stack­ing soft­ware
Zerene Stacker
Tilt shift lenses in land­scape pho­tog­ra­phy
March 2013 reg­u­lar Assign­ment — Wet or Rain
March 2013 level 2 Assign­ment — Dra­matic angles

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