Why is the snow grey? What happened?

Thanks to casil403 of our pho­tog­ra­phy forum for the use of these pics. So what hap­pened here? Why is the snow grey when every­one knows that snow is white.

Basic expo­sure is a com­mon area of con­fu­sion for new­com­ers in pho­tog­ra­phy and these pho­tos are PERFECT teach­ing tools.So what hap­pened here? Why is the snow grey(ish) — after all, the pho­tog­ra­pher used a cam­era meter right?

Grey snow

Grey snow

Here is why this shot did not come out. This is text­book basic expo­sure and you NEED to under­stand this if you want the fog to lift and move up a level with your pho­tog­ra­phy.‚ Here goes:

All a cam­era is, is hole with a flap over it. When the flap is lifted light hits film or a sen­sor. On mod­ern cam­eras, depend­ing on the set­ting you use, the camera’s meter sug­gests an expo­sure. This sug­ges­tion is good one in the fol­low­ing con­di­tion;

– When there is a good rep­re­sen­ta­tion of light and dark tones. This is called a nor­mal scene.

AT THIS POINT WE MUST SAY THAT THE CAMERA IS BLIND. IT DOES NOT KNOW WHAT IT IS LOOKING AT BECAUSE IT HAS NO BRAIN. ALL IT DOES IS AVERAGE OUT THE TONES IT SEES AND SPITS OUT AN EXPOSURE. ALTHOUGH THIS IS NOT INTUITIVE (FOR COLOUR PHOTOGRAPHY) THE COLOUR MID-GREY IS THAT MIDDLE TONE THAT THE CAMERA USES AS THE AVERAGE.

Since these shots above have a pre­pon­der­ance of white highly reflec­tive snow and NOT enough other tones to bal­ance out the scene, This is NOT a nor­mal scene. The camera’s meter there­fore, will NOT be accu­rate in cases like this (even if your cam­era costs 3,000‚ or 10,000 dol­lars) and if you use the camera’s meter read­ing in this case you will NEVER EVER get white snow. You have to make adjust­ments to the meter’s read­ing. This is why a mon­key can take a pic­ture, but not a good picture.

In this case, what the cam­era is doing is say­ing “Holy crap bat­man, look at all that white snow, it’s so bright; I bet­ter CUT the expo­sure to bal­ance out the scene”. That’s what the meter does here — It tells the cam­era to cut the expo­sure and so it is too dark. To rem­edy this you need to give the scene MORE light by increas­ing the expo­sure by 1 to 2 stops.

The exact oppo­site is true as well. Let’s say you have a white dog on black pave­ment or just a shot of black pave­ment. In that case the camera’s meter will say “Holy crap bat­man, look at all that black pave­ment , it’s so dark; I bet­ter INCREASE the expo­sure to bal­ance out the scene”. And in that case as well, the black pave­ment will look grey because the meter is try­ing to aver­age out the tones in the scene toward mid-grey. To rem­edy this you need to give the scene LESS light by decreas­ing the expo­sure by 1 to 2 stops.

I hope that made sense. You can fol­low the whole thread (topic) here on our pho­tog­ra­phy forum and read the advice of dif­fer­ent mem­bers. If you still have ques­tions, join for free and post in that thread (or start a new one). It’s our plea­sure to help.

63 — Review of the Colormunki and the i1XTreme

Pho­tog­ra­phy pod­cast #63 fea­tures a review of the Col­or­munki and the i1XTreme monitor/printer/projector pro­fil­ing sys­tems. These are hard­ware sys­tems that use a spec­tropho­tome­ter to mea­sure the color from hard­ware devices like mon­i­tors, print­ers, pro­jec­tors (and in the case of the i1XTreme, scan­ners and cam­eras as well). So many of us are print­ing from our homes, offices or home-offices and we want accu­rate colours from our RGB or CMYK print­ers. These hard­ware devices absolutely sim­plify this extremely con­fus­ing process and both prod­ucts come highly rec­om­mended. After the review, we ask Joe Brady of MAC­grou­pUS in a tele­phone inter­view, to clar­ify what we need to do in Photoshop’s print­ing dia­logue boxes to assure us of a good mon­i­tor to printer print. This is a com­mon area of con­fu­sion for many pho­tog­ra­phers try­ing to print on their own printers.

UPDATE — In the pod­cast I say that the Col­or­Munki is restricted to use on 3 mon­i­tors. This restric­tion has been lifted.

The ColorMunki

The Col­or­Munki

i1Xtreme

i1Xtreme

Photoshops dialogue boxes

Photoshop’s dia­logue boxes

Links men­tioned in this pod­cast:
col­or­munki
i1XTREME

Col­or­Munki sum­mary tuto­r­ial on Youtube

X-rite Eye One ( i1 ) 1 of 2 — Mon­i­tor Setup from colorHQ.com
X-rite Eye One ( i1 ) 2 of 2 — Mon­i­tor Adjust­ments from colorHQ.com
Pod­cast #62 — Mon­i­tor — printer cal­i­bra­tion (an intro­duc­tion) — Inter­view with Joe Brady
Pur­chase the col­or­Munki at B&H — Pur­chase the i1XTreme at B&H (what I reviewed) Pur­chase the i1 Photo at B&H (a good alter­na­tive if you don’t need the extra bells and whis­tles).
Joe Brady Photography

Link I for­got to men­tion — Just like there are bet­ter mon­i­tors for pho­tog­ra­phy, there are bet­ter print­ers with good print dri­vers that work well with the 2 sys­tems reviewed in this pod­cast. 2 rec­om­mended print­ers Epson R1900 and Epson R2880 at B&H

If you are still lurk­ing, feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks as always to Steven K, benny, Lovin and SuzieQ who posted a blog com­ment about our last pod­cast and to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Another ‘Mad Moment’ — Self Improvement — by Mad Aussie

G’day once more Photography.ca fans.

Another week flashes by, and the Photography.ca forums have hus­tled and bus­tled along quite nicely as usual lately. Lots of new peo­ple join­ing in the fun and learn­ing which is great to see!

My ‘Mad Moment’ this time around is on ‘Self Improve­ment’ and we have two threads in the forum (one by raiven and one by Greg Nus­pel) that dis­cuss this sub­ject. Do you go out to shoot a mas­ter­piece but return with a piece of some­thing else? Do you feel like you are doing every­thing you can to cre­ate a work of art and only end up with some­thing that rhymes with art? Yeh, we all do that sometimes.

So then, how do you go about lift­ing your pho­tog­ra­phy skills? Are there reg­u­lar ways and tech­niques one might apply to their weekly pho­tog­ra­phy that might advance their skills? Can you pro­duce bet­ter images on a more reg­u­lar basis? Well, quite a few of the Photography.ca mem­bers seem to have var­i­ous ideas on this sub­ject so fol­low the two links below to read about how you can learn from them.

Even bet­ter, join the forums if you haven’t already and explore ALL the ways you can learn inter­ac­tively with Marko and the Photography.ca members.

Forum Threads
Improv­ing One’s Pho­tog­ra­phy
Self Improve­ment Assignments

By Mad Aussie — Photography.ca blog con­trib­u­tor & forum mem­ber
www.astrovisual.com.au
www.astrovisualphotography.com.au
www.istockimages.com.au

Another ‘Mad Moment’ — Self Improvement — by Mad Aussie

G’day once more Photography.ca fans.

Another week flashes by, and the Photography.ca forums have hus­tled and bus­tled along quite nicely as usual lately. Lots of new peo­ple join­ing in the fun and learn­ing which is great to see!

My ‘Mad Moment’ this time around is on ‘Self Improve­ment’ and we have two threads in the forum (one by raiven and one by Greg Nus­pel) that dis­cuss this sub­ject. Do you go out to shoot a mas­ter­piece but return with a piece of some­thing else? Do you feel like you are doing every­thing you can to cre­ate a work of art and only end up with some­thing that rhymes with art? Yeh, we all do that sometimes.

So then, how do you go about lift­ing your pho­tog­ra­phy skills? Are there reg­u­lar ways and tech­niques one might apply to their weekly pho­tog­ra­phy that might advance their skills? Can you pro­duce bet­ter images on a more reg­u­lar basis? Well, quite a few of the Photography.ca mem­bers seem to have var­i­ous ideas on this sub­ject so fol­low the two links below to read about how you can learn from them.

Even bet­ter, join the forums if you haven’t already and explore ALL the ways you can learn inter­ac­tively with Marko and the Photography.ca members.

Forum Threads
Improv­ing One’s Pho­tog­ra­phy
Self Improve­ment Assignments

By Mad Aussie — Photography.ca blog con­trib­u­tor & forum mem­ber
www.astrovisual.com.au
www.astrovisualphotography.com.au
www.istockimages.com.au

Photography.ca winning member images

For the past 2 months we have added a new fea­ture on our pho­tog­ra­phy bul­letin board where the Admin on Photography.ca (Me, Marko),‚ chooses 1 photo that he thinks is great and talks about the photo. The Eagle photo below by kentw was my choice for this month. (check the pre­vi­ous link for the explanation).

We have lots of pho­tographs being sub­mit­ted each month on our forum for cri­tiques, assign­ments or just to show the photo. Choos­ing Kent’s photo as the ‘win­ner’ took about 3.5 hours of care­ful sift­ing. Given that it took so long to choose, I came across many many many close con­tenders. Seems like a waste of time just to include 1 photo so I’d like to include 3 hon­ourable men­tions right here.

If you haven’t joined our forum I would encour­age you to do so. We are an extremely friendly bunch that share and learn daily.

Here’s the win­ning photo:

Eagles on the Mississippi by kentw

Eagles on the Mis­sis­sippi by kentw

Here are the 3 hon­ourable mentions:

A leaf in water by Michaelaw

A leaf in water by Michaelaw

From Exploring b/w thread by Mad Aussie

From ‘Explor­ing b/w thread’ by Mad Aussie

Shot of my dd...by ~Carla~

Shot of my dd…by ~Carla~

62 — Monitor — printer calibration — Interview with Joe Brady

Pho­tog­ra­phy pod­cast #62 fea­tures an intro­duc­tion into mon­i­tor cal­i­bra­tion and pro­fil­ing and printer cal­i­bra­tion and pro­fil­ing by way of an inter­view with Joe Brady of MAC­grou­pUS. Joe clears up many com­mon ques­tions that we have when it comes to mon­i­tor pro­fil­ing and tells us straight up why hard­ware devices that pro­file your mon­i­tor are vastly supe­rior to the pro­fil­ing soft­ware that comes with mon­i­tors. We talk about colour space, ICC pro­files and how (unfor­tu­nately) the aver­age pho­tog­ra­pher is using a bad mon­i­tor and a flawed work­flow to proof their work. The next pod­cast will fea­ture a full review of the col­or­munki and i1XTreme hard­ware pro­fil­ing devices gra­ciously loaned to me by MACgroupUS.

This image is just to illus­trate a point. On the left is an image off of an UNcal­i­brated Eizo Mon­i­tor. On the right is that same image on a mid-range mon­i­tor that I thought was some­what cal­i­brated. Side by side you can see how the Eizo has a greater tonal range and less of a cast. The results are WAY more dra­matic when you see the result­ing prints with your eyes. When you actu­ally cal­i­brate and pro­file the mon­i­tor using qual­ity cal­i­bra­tion hard­ware, you get the best (or close to the best) result that the par­tic­u­lar mon­i­tor can deliver. This usu­ally trans­lates to a wider tonal range with whites being whiter and blacks cast free as well, com­pared to the pre-calibrated monitor.

Links men­tioned in this podcast:

col­or­munki
i1XTREME
col­or­munki train­ing — Videos on using color munki along with color the­ory
Guess what it is thread

Assign­ments on our pho­tog­ra­phy bul­letin board:
March 2009 Photo Assign­ment — Wind
March 2009 — Assign­ment — pho­tograph­ing words — Wind

Thanks as always to Susan, Steven K, Jla­bel, Kent Wil­son and Tony who posted a blog com­ment about our last pod­cast and to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

61 — What makes a Photo Great

Pho­tog­ra­phy pod­cast #61 talks about what makes a photo great. Given that most of us try hard to pro­duce the best pho­tographs we can, in this pod­cast we are try­ing to come up with the cri­te­ria needed to cre­ate great pho­tographs. I offer my per­sonal opin­ion on the mat­ter and I’d love to get com­ments telling me that I’m on to some­thing, or com­ments telling me that I’m full of it. These two pho­tographs below fit the bill for what I call great pho­tog­ra­phy. I dare you to chal­lenge me on these pho­tos, I dare you. This pod­cast is based on a sug­ges­tion from Mad Aussie in our forum. Many thanks Mad Aussie!

Afghan Girl — Steve McCurry

Melancholic Tulip - 1939 - Andre Kertesz

Melan­cholic Tulip — 1939 — Andre Kertesz

Links men­tioned in this pod­cast:
What makes a photo great? (Orig­i­nal thread that inspired this pod­cast)
Guess what it is thread
The image game
Marko’s Jan­u­ary 2009 pick for best mem­ber image
Nom­i­nate other member’s pho­tographs
Zen And The Art Of Motor­cy­cle Maintenance:an Inquiry Into Values

Assign­ments on our pho­tog­ra­phy bul­letin board:
Feb­ru­ary 2009 Photo Assign­ment — Love/Passion/Romance and Red should be a fea­ture
Febru­rary 2009 — Assign­ment — pho­tograph­ing words — Shadow
Febru­rary 2009 — Post pro­cess­ing assignment

Thanks as always to‚Susan and Benny who posted a blog com­ment about our last pod­cast and to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Portraits from the Plateau — Sylvain Grand’Maison

I took this shot for fel­low friend, art direc­tor and pod­caster Syl­vain Grand’Maison about a month ago. Syl­vain pro­duces an extremely suc­cess­ful French pod­cast here in Que­bec that fea­tures great pod­safe music,‚ great artists and does it all while drink­ing great beer and talk­ing about social media and podcasting.

Syl­vain needed some pho­tog­ra­phy done so we got together for a few hours and clicked the shut­ter. He specif­i­cally had a con­cept in mind and we focused mainly on his con­cept (can’t talk about it yet). After the shoot though, we also took some casual shots and many of them came out quite nice includ­ing this one.

Sylvain GrandMaison

Syl­vain Grand’Maison

Sylvain’s blond hair and eyes came out really well against this black back­ground and both he and I really dig this shot. In terms of light­ing, I used a Quan­tum flash in an umbrella at 45 degrees and a reflec­tor on the oppo­site site. I did a bit of soft­en­ing on his body and added some glow to his hair in post so that his face is the most strik­ing ele­ment in the shot. Exif data is 1/80 at F-7.0 ISO 400 at 75mm.

Portraits from the Plateau — Sylvain Grand’Maison

I took this shot for fel­low friend, art direc­tor and pod­caster Syl­vain Grand’Maison about a month ago. Syl­vain pro­duces an extremely suc­cess­ful French pod­cast here in Que­bec that fea­tures great pod­safe music,  great artists and does it all while drink­ing great beer and talk­ing about social media and podcasting.

Syl­vain needed some pho­tog­ra­phy done so we got together for a few hours and clicked the shut­ter. He specif­i­cally had a con­cept in mind and we focused mainly on his con­cept (can’t talk about it yet). After the shoot though, we also took some casual shots and many of them came out quite nice includ­ing this one.

Sylvain GrandMaison

Syl­vain Grand’Maison

Sylvain’s blond hair and eyes came out really well against this black back­ground and both he and I really dig this shot. In terms of light­ing, I used a Quan­tum flash in an umbrella at 45 degrees and a reflec­tor on the oppo­site site. I did a bit of soft­en­ing on his body and added some glow to his hair in post so that his face is the most strik­ing ele­ment in the shot. Exif data is 1/80 at F-7.0 ISO 400 at 75mm.

60 — Panning and the Weston Portrait — Interview with Laszlo of Montreal

Pho­tog­ra­phy pod­cast #60 fea­tures an inter­view with pho­tog­ra­pher Las­zlo of Mon­treal. In this inter­view, Las­zlo decon­structs a por­trait of Loblaws owner Galen Weston so that we may learn from it. In the inter­view he describes the var­i­ous tech­niques used to cre­ate this image includ­ing pan­ning, bal­anc­ing the flash and the ambi­ent light as well as his choice of shut­ter speed and envi­ron­ment for this image.

Galen Weston by Laszlo

Galen Weston by Las­zlo — Click to enlarge

Links men­tioned in this pod­cast:
Laszlo’s web­site
Laszlo’s Paul Anka por­trait
HDR Pod­cast #59

Assign­ments on the bul­letin board:
Jan­u­ary 2009 photo assign­ment — Warm and Cozy

Thanks as always to‚ Steven K,‚ Susan, Michael Van der Tol, landon9720, Yise­haq, Frank and Gary H who posted a blog com­ment about our last pod­cast and to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

59 — HDR — High dynamic range photography — Interview with Joseph Cartright

Pho­tog­ra­phy pod­cast #59 talks about HDR (High dynamic range) pho­tog­ra­phy in an inter­view with fash­ion pho­tog­ra­pher and HDR instruc­tor Joseph Car­tright. In this pod­cast we dis­cuss how to cre­ate an HDR pho­to­graph and be warned, this is an inter­me­di­ate level pod­cast. That said, Joseph reviews many of the terms that con­fuse dig­i­tal pho­tog­ra­phers these days, so part of the pod­cast (espe­cially the begin­ning) reviews con­cepts rel­e­vant to all dig­i­tal pho­tog­ra­phy. In a nut­shell an HDR image is made of 2 or more shots where the same scene is pho­tographed with brack­eted expo­sures and then put together with soft­ware in order to extend the dynamic range (get addi­tional infor­ma­tion in the high­lights, mid­tones and shad­ows) of the scene.

Here’s a few terms as explained by Joseph that are good to absorb right away;
– Lat­i­tude — Refers to how much you can be ‘off’ of the cor­rect expo­sure and still have a usable image.
– Dynamic range — Refers to the usable range of data you can cap­ture between the high­lights and the shad­ows before you lose data. (If you over­ex­pose too much there is no data in the whites or high­lights and if you under­ex­pose too much there is no data in the blacks or shadows).

HDR photograph

HDR Image by Joseph Car­tright — Click to enlarge

HDR photograph

HDR Image by Trey Rat­cliff — Click to enlarge — Orig­i­nal image http://stuckincustoms.com/2008/12/14/my-five-favorites-from-vancouver/

Links men­tioned in this pod­cast and HDR ref­er­ences — Joseph Car­tright Pho­tog­ra­phy

Soft­ware:

Pho­tomatix — http://www.hdrsoft.com/
FDR tools — http://fdrtools.com/front_e.php
Soft­ware overview — http://wiki.panotools.org/HDR_Software_overview

Ref­er­ence Sites:
http://www.hdrlabs.com/siggraph/
http://www.hdrlabs.com/siggraph/index_files/Witte_HDRI_Tips_Tricks.pdf
http://www.creativepro.com/article/photo-murals-make-you-think-big-really-big
HDR tuto­r­ial by Trey Ratcliff

Assign­ments on the bul­letin board:
Decem­ber photo assign­ment — The Hol­i­days
Decem­ber assign­ment — Pho­tograph­ing words — Winter

Thanks as always to‚ Steven K,‚ Susan, EJC, Dan, JK and aophoto who posted a blog com­ment about our last pod­cast. Thanks also to Mark3351, Alex Ross rana, djKianoosh, Rikki, eroder, The_Camera_Poser and ben­ja­mind­i­caprio for join­ing our bul­letin board and post­ing a few times. We LOVE com­ments and sug­ges­tions so please send more.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Winter patterns

Even though win­ter is uncom­fort­able in many ways for tak­ing pic­tures, win­ter offers lots of pho­to­graphic pos­si­bil­i­ties. Pat­terns of frost, ice and snow make inter­est­ing sub­jects and some­times give off an abstract feel. The tip of the day there­fore, is search for win­ter pat­terns! The shot below was taken dur­ing one of the first snow­storms in Mon­treal this year. I call this one Win­ter Zen.

Winter Zen

Win­ter Zen — by Marko Kulik