73 — Landscape photography tips — improving boring landscapes

Pho­tog­ra­phy pod­cast #73 is all about land­scape pho­tog­ra­phy and how to improve your land­scape pho­tog­ra­phy. Many new­bies and advanced ama­teurs con­sis­tently won­der if their land­scape pho­tog­ra­phy is any good. This pod­cast offers up a fair pile of tips to help get your land­scape pho­tog­ra­phy to the next level. Some of the things we talk about include; light­ing for land­scapes, the back­ground and the fore­ground, what makes land­scapes inter­est­ing, expo­sure and land­scape pho­tog­ra­phy, fil­ters in land­scape pho­tog­ra­phy, tripods and post production.

Landscape photography
Yosemite Val­ley, Win­ter 1940 by Ansel Adams

Note the points of inter­est in the fore­ground, back­ground and midground, note the full range of tones and note how skill­fully our eyes are being guided. This is no acci­dent, it’s the result of great plan­ning (the light) exe­cu­tion (exposure/filters/composition) and fin­ish­ing touches (dark­room post-processing — done these days using a graph­ics program).

Landscape photography
Fish­ing spot by Kat

Kat has a great han­dle on the range of tones, expo­sure and com­po­si­tion here and I really like this shot. It’s miss­ing just a lit­tle some­thing of inter­est IMO to get the big “WOW!” Per­haps if a large rock was dropped in the midground with mov­ing rip­ples that would have done it.… this shot is so close it just needs a hint of some­thing “extra”.

Landscape photography
Fly with me…across Aus­tralia (part of a series) by Mad Aussie

This one con­tains the “Wow!” fac­tor for me. Great colour, range of tones, expo­sure and com­po­si­tion. Note the reflec­tions in the fore­ground, the rocks in the midground and that awe­some sky in the back­ground. I love how the midground and back­ground seem to meld into one another.

Links /resources men­tioned in this podcast:

The Ansel Adams gallery
Dar­win Wiggett — Fab­u­lous land­scapes
Rule of thirds pod­cast
His­togram pod­cast
October’s “Scary-Mysterious-Halloween”‚assignment on the Photography.ca forum
Please join the Photography.ca fan page on Face­book
My Face­book pro­file — Feel free to “friend” me

My Twit­ter page — I will fol­low you if you fol­low me (Hey that’s a Gabriel lyric) — Let’s con­nect

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks to‚ jack­la­bel, and Kent Wil­son who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

72 — Exposure compensation

Pho­tog­ra­phy pod­cast #72 dis­cusses how to use expo­sure com­pen­sa­tion. It’s a fairly sim­ple con­cept that just means devi­at­ing away from (or com­pen­sat­ing against)‚ the cam­era meter’s rec­om­mended expo­sure to make the image brighter or darker. We also talk about which cam­era modes you’ll want to use expo­sure com­pen­sa­tion with, and I dis­cuss why pro­gram mode sucks and should be avoided. Even though expo­sure com­pen­sa­tion in pho­tog­ra­phy is an easy con­cept, I dis­cuss the rea­son­ing behind it, why I fre­quently use it and why you should too.

exposure compensation
The expo­sure com­pen­sa­tion dial on the Canon G10

Links /resources men­tioned in this podcast:

Orig­i­nal sug­ges­tion thread from our forum — Thanks Iggy!
September’s “New Beginnings”‚assignment on the Photography.ca forum
Please join the Photography.ca fan page on Face­book

My Face­book pro­file — Feel free to “friend” me

My Twit­ter page — I will fol­low you if you fol­low me (Hey that’s a Gabriel lyric) — Let’s con­nect

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks to Nijip, jack­la­bel, jab­ber and Tom Restis who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

71 — Portable flash

Pho­tog­ra­phy pod­cast #71 dis­cusses the prin­ci­ples of using a portable, exter­nal flash. We talk about how flash works, the dif­fer­ent types of portable flash, on cam­era and off cam­era flash, using a portable flash as a main light source ver­sus a fill light, bounc­ing the flash, sync speeds and more.

Depth of field guide

Depth of field guide

Links /resources men­tioned in this pod­cast:
Pod­cast #33 — Stu­dio light­ing for begin­ners
Pod­cast #47 — Flash sync speeds
Pock­etWiz­ard from B&H
Peanut slaves from B&H

August’s‚ “Water”‚ assign­ment on the Photography.ca forum

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

70 — Getting sharper images — common problems

Pho­tog­ra­phy pod­cast #70 dis­cusses why some­times our pho­tographs do not appear sharp enough.‚ We touch on sev­eral impor­tant fac­tors that all com­pro­mise image sharp­ness. For new­bies in par­tic­u­lar, we also men­tion the depth of field guide which clearly tells the pho­tog­ra­pher the zone of sharp focus (in feet and inches or cen­time­ters and meters depend­ing on the guide) to expect with a given aper­ture and lens.

Depth of field guide

Depth of field guide

Links /resources men­tioned in this pod­cast:
Portable depth of field guide from B&H
Free depth of field table for most dig­i­tal cameras

August’s‚ “Water”‚ assign­ment on the Photography.ca forum

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

69 — Street photography tips

Pho­tog­ra­phy pod­cast #69 dis­cusses street pho­tog­ra­phy; what gear to use, what to shoot, how to shoot, should I ask the subject’s per­mis­sion before I shoot etc. This topic was sug­gested by TJD of our pho­tog­ra­phy forum, so many thanks TJD! One thing I for­got to men­tion dur­ing the pod­cast con­cerns model releases. If you never plan to sell the image, in Canada and the U.S. at least, you prob­a­bly (I’m not a lawyer so this advice is worth what you paid for it as opposed to 2oo bucks an hour) don’t need one. If you plan to sell the images you shoot, then it makes good sense to bring a release form with you.

Street photography by Henri Cartier Bresson

Rue Mouf­fe­tard, Paris and Behind the Gare St. Lazare, Paris by Henri Cartier-Bresson

Links /resources men­tioned in this pod­cast:
Henri Cartier-Bresson
Robert Dois­neau

July’s Heat” assign­ment on the Photography.ca forum

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

68 — Creating a photography portfolio

Pho­tog­ra­phy pod­cast #68 dis­cusses how to to pre­pare a port­fo­lio for clients, agen­cies gal­leries etc. Even though we are in the dig­i­tal age, when it comes to pre­sen­ta­tion, noth­ing beats a beau­ti­fully printed pho­to­graph. This pod­cast shares some tips and tricks on putting together a great portfolio.

Links /resources men­tioned in this pod­cast:
Pre­sent­ing pho­tog­ra­phy to gal­leries — Pod­cast #53
June’s low shoot­ing angle assign­ment on the Photography.ca forum

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

67 — Orton Imagery — The Orton Effect — Interview with Michael Orton and Darwin Wiggett

Pho­tog­ra­phy pod­cast #67 dis­cusses how to use Orton Imagery (AKA the Orton effect or the Orton Tech­nique) to give your pho­tographs an ethereal/painterly feel. This tech­nique was invented by Michael Orton in the mid 1980’s using 2 pieces of over­ex­posed slide film sand­wiched together. The prin­ci­ples of this tech­nique can also be used in graph­ics pro­grams like Pho­to­shop to achieve a sim­i­lar effect. This pod­cast con­tains 2 inter­views; one with Michael Orton dis­cussing‚ the technique’s his­tory, and one with Dar­win Wiggett,‚ dis­cussing his method for cre­at­ing Orton Imagery using Pho­to­shop and other graph­ics pro­grams. Darwin’s step-by-step is out­lined below and his Pho­to­shop action is also included. Thanks a ton Michael and Darwin!!

Image by Michael Orton - click to enlarge

Orton Imagery by Michael Orton — Click to enlarge

NMP2823 - Non-Orton image by Darwin Wiggett - Click to enlarge

NMP2823 — Non-Orton image by Dar­win Wiggett — Click to enlarge

NMP2823 - Orton image by Darwin Wiggett - Click to enlarge

NMP2823 — Orton image by Dar­win Wiggett — Click to enlarge

NMP9058 - Orton image by Darwin Wiggett - Click to enlarge

NMP9058 — Orton image by Dar­win Wiggett — Click to enlarge

NMP6435 - Orton image by Darwin Wiggett - Click to enlarge

NMP6435 — Orton image by Dar­win Wiggett — Click to enlarge

Here’s how to cre­ate Orton Imagery Using Pho­to­shop. Por­tion reprinted from from Orton Imagery — A …œHow to‚ guide for Pho­tog­ra­phers by Dar­win Wiggett. Thanks to Nature Pho­tog­ra­phers online mag­a­zine for allow­ing me to reprint this.

Dig­i­tal Tech­nique to Cre­ate Orton Images

Here, there are many ways to sim­u­late an Orton slide sand­wich. You can do it the same way as out­lined above for slides over­ex­pos­ing two sep­a­rate images and then in the com­puter stack­ing the images together in soft­ware and blend­ing them. Per­son­ally, I pre­fer to take my exist­ing dig­i­tized pho­tos (either from film scans or dig­i­tal cam­era files) and run­ning them through the process below to see if they work as …œOr­ton Images‚.

Here is the step-by-step recipe for mak­ing Orton images in Photoshop:

  1. Open any image you wish to try the tech­nique on. Make a dupli­cate of the image (Image>Duplicate). Close the orig­i­nal image.
  2. Lighten the image as fol­lows: Image>Apply Image‚¦ then in the dia­log box that comes up change the bend­ing mode to …œScreen‚ and the Opac­ity to 100%. This will give you an appro­pri­ately over­ex­posed image.
  3. Dupli­cate this over­ex­posed image (Image>Duplicate).
  4. Blur this sec­ond image (Filter>Blur>Gaussian Blur‚¦ and in the dia­log box use a Radius set­ting of 15 to 50 pix­els ‚” the higher the pixel set­ting the blur­rier the photo and the more ‹“painter­lyž the image‚¦ but you can go too far!). Exper­i­ment with dif­fer­ent set­tings, for my tastes and for the size of my dig­i­tal files (50–100 megabytes) a radius of about 25 pix­els works perfect.
  5. Now select the move tool from the Pho­to­shop tool bar (or just press …œv‚ on your key­board for quicker access to the move tool). Hold down the …œshift‚ key and use your mouse to drag and drop the blurry image onto the sharp one (donžt let go of the shift key until after you release the mouse but­ton or the images wonžt be in per­fect alignment).
  6. Bring up the lay­ers palette in Pho­to­shop (F7 is the key­board short­cut). Under the word …œLay­ers‚ in the lay­ers palette will be a menu box of blend­ing modes. Change the blend­ing mode from …œnor­mal‚ to …œmultiply‚.
  7. Now …œflat­tenž the two lay­ers by press­ing …œCTRL+E‚ or by click­ing on the side­ways tri­an­gle in the lay­ers palette to select ‹“flat­ten imagež.

There, you now have an Orton image — if you like your new mas­ter­piece save the file!

Copy­right Dar­win Wiggett and Nature Pho­tog­ra­phers Online Mag­a­zine — All rights reserved.
—————————————————————————————————

Dwayne Oaks from our pho­tog­ra­phy forum also lists the way he uses the Orton effect using NX2 soft­ware. Thanks Dwayne.
1-use mid­tone (lev­els) slider to brighten photo (2.04)
2-select gauss­ian blur, set radius slider to (15.85)px and opac­ity to (100)%
go to blend­ing mode and select (mul­ti­ply)
3-readjust (lev­els) slid­ers if nec­es­sary
4-in the case of my work to get the muted col­ors just turn down
the saturation

Links /resources men­tioned in this pod­cast:
More of Dar­win Wiggett’s work on Timecatcher.com
Pho­tograph­ing Cre­ative Land­scapes: Sim­ple Tools for Artis­tic Images and Enhanced Cre­ativ­ity by Michael Orton
Dances with Light by Dar­win Wiggett
Down­load Darwin’s Orton Action
June’s low shoot­ing angle assign­ment on the Photography.ca forum
See and vote on May 2009’s mem­ber images

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

66 — Becoming a Photography Assistant

Pho­tog­ra­phy pod­cast #66 dis­cusses how to become a photographer’s assis­tant and this topic was sug­gested by new bul­letin board mem­ber Ray. Thanks Ray!‚ Becom­ing a pho­tog­ra­phy assis­tant is a great way to learn how pho­tog­ra­phy is done in the ‘real world’ with real world pres­sures. It is a great way to decide if being a pro­fes­sional pho­tog­ra­pher is really what you want to do. This pod­cast sug­gests some good ways to get your foot in the door. If vis­i­tors read­ing this have addi­tional ideas, leav­ing a com­ment would be most appreciated.

Links men­tioned in this pod­cast:
May’s Nos­tal­gia assign­ment on the Photography.ca forum
See and vote on April 2009’s mem­ber images
Pho­tog­ra­phy jobs (dif­fer­ent USA list­ings — some for pho­tog­ra­phy assistants)

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

65 — Color casts — correcting color casts — Interview with Dominic Fuizzotto

Pho­tog­ra­phy pod­cast #65 fea­tures an inter­view with Mon­treal Wed­ding pho­tog­ra­pher Dominic Fuiz­zotto. In the inter­view we talk about why colour casts hap­pen and how to cor­rect colour casts.‚ When images have a colour cast they usu­ally just don’t look right and it is our job as pho­tog­ra­phers to get rid of bad colour casts.

The image at left has a strong yellow/orange cast. We easily see the cast in the brides dress which is white. The cast is removed in the photo on the right and the brides dress is now white. Image by Dominic Fuizzotto

The image at left has a strong yellow/orange cast. We see the cast in the bride’s dress which is NOT white. The cast is removed in the photo on the right and the bride’s dress is now white. Thanks to Dominic Fuiz­zotto for these examples.

One IMPORTANT thing that I for­got to men­tion in the pod­cast is that on the rare occa­sion you may actu­ally WANT to intro­duce a colour cast into an image as in the photo below. This can be done eas­ily in Pho­to­shop but it can also be done by using gels on lights or by set­ting your camera’s white bal­ance to the wrong set­ting on purpose.

This image has a delib­er­ate green/yellow cast. Most times you don’t want this but some­times like in this shot, it works and adds to the shot.

The colour wheel in photography

The colour wheel in photography


This is the colour wheel that most pho­tog­ra­phers use whether they know it or not.‚ White light is made of red, green and blue light. The com­pli­men­tary or oppo­site colours of red, green and blue are cyan, magenta and yel­low respec­tively. In order to reduce a colour cast, we need to intro­duce its oppo­site into the image.‚ There­fore, if an image has a blue cast we reduce that cast by adding yel­low into the image.

Links men­tioned in this pod­cast:
Dominic Fuiz­zotto Pho­tog­ra­phy
April’s por­trait assign­ment on the Photography.ca forum

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

64 — Finding good photography subjects

Pho­tog­ra­phy pod­cast #64 talks about how to find good pho­tog­ra­phy sub­jects and was a sug­ges­tion by our pho­tog­ra­phy forum mem­ber F8&Bthere. Some­times we go through peri­ods where it’s dif­fi­cult to get out there and take pho­tos. Often this hap­pens in win­ter time when it’s too cold. Some­times though it hap­pens just because we are blocked. This pod­cast offers up quite a few tips and ideas on find­ing inter­est­ing pho­to­graphic sub­jects for indoor and out­door shoot­ing.‚ Use it as a lax­a­tive to help unblock you. :)


Links men­tioned in this pod­cast:
F8&Bthere’s orig­i­nal sug­ges­tion thread
Addi­tional ideas from 365 pho­tos in 2009 (thanks raiven)

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks as always to Benny, justaleecher and realestate­curve who posted a blog com­ment about our last pod­cast and to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

63 — Review of the Colormunki and the i1XTreme

Pho­tog­ra­phy pod­cast #63 fea­tures a review of the Col­or­munki and the i1XTreme monitor/printer/projector pro­fil­ing sys­tems. These are hard­ware sys­tems that use a spec­tropho­tome­ter to mea­sure the color from hard­ware devices like mon­i­tors, print­ers, pro­jec­tors (and in the case of the i1XTreme, scan­ners and cam­eras as well). So many of us are print­ing from our homes, offices or home-offices and we want accu­rate colours from our RGB or CMYK print­ers. These hard­ware devices absolutely sim­plify this extremely con­fus­ing process and both prod­ucts come highly rec­om­mended. After the review, we ask Joe Brady of MAC­grou­pUS in a tele­phone inter­view, to clar­ify what we need to do in Photoshop’s print­ing dia­logue boxes to assure us of a good mon­i­tor to printer print. This is a com­mon area of con­fu­sion for many pho­tog­ra­phers try­ing to print on their own printers.

UPDATE — In the pod­cast I say that the Col­or­Munki is restricted to use on 3 mon­i­tors. This restric­tion has been lifted.

The ColorMunki

The Col­or­Munki

i1Xtreme

i1Xtreme

Photoshops dialogue boxes

Photoshop’s dia­logue boxes

Links men­tioned in this pod­cast:
col­or­munki
i1XTREME

Col­or­Munki sum­mary tuto­r­ial on Youtube

X-rite Eye One ( i1 ) 1 of 2 — Mon­i­tor Setup from colorHQ.com
X-rite Eye One ( i1 ) 2 of 2 — Mon­i­tor Adjust­ments from colorHQ.com
Pod­cast #62 — Mon­i­tor — printer cal­i­bra­tion (an intro­duc­tion) — Inter­view with Joe Brady
Pur­chase the col­or­Munki at B&H — Pur­chase the i1XTreme at B&H (what I reviewed) Pur­chase the i1 Photo at B&H (a good alter­na­tive if you don’t need the extra bells and whis­tles).
Joe Brady Photography

Link I for­got to men­tion — Just like there are bet­ter mon­i­tors for pho­tog­ra­phy, there are bet­ter print­ers with good print dri­vers that work well with the 2 sys­tems reviewed in this pod­cast. 2 rec­om­mended print­ers Epson R1900 and Epson R2880 at B&H

If you are still lurk­ing, feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks as always to Steven K, benny, Lovin and SuzieQ who posted a blog com­ment about our last pod­cast and to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

62 — Monitor — printer calibration — Interview with Joe Brady

Pho­tog­ra­phy pod­cast #62 fea­tures an intro­duc­tion into mon­i­tor cal­i­bra­tion and pro­fil­ing and printer cal­i­bra­tion and pro­fil­ing by way of an inter­view with Joe Brady of MAC­grou­pUS. Joe clears up many com­mon ques­tions that we have when it comes to mon­i­tor pro­fil­ing and tells us straight up why hard­ware devices that pro­file your mon­i­tor are vastly supe­rior to the pro­fil­ing soft­ware that comes with mon­i­tors. We talk about colour space, ICC pro­files and how (unfor­tu­nately) the aver­age pho­tog­ra­pher is using a bad mon­i­tor and a flawed work­flow to proof their work. The next pod­cast will fea­ture a full review of the col­or­munki and i1XTreme hard­ware pro­fil­ing devices gra­ciously loaned to me by MACgroupUS.

This image is just to illus­trate a point. On the left is an image off of an UNcal­i­brated Eizo Mon­i­tor. On the right is that same image on a mid-range mon­i­tor that I thought was some­what cal­i­brated. Side by side you can see how the Eizo has a greater tonal range and less of a cast. The results are WAY more dra­matic when you see the result­ing prints with your eyes. When you actu­ally cal­i­brate and pro­file the mon­i­tor using qual­ity cal­i­bra­tion hard­ware, you get the best (or close to the best) result that the par­tic­u­lar mon­i­tor can deliver. This usu­ally trans­lates to a wider tonal range with whites being whiter and blacks cast free as well, com­pared to the pre-calibrated monitor.

Links men­tioned in this podcast:

col­or­munki
i1XTREME
col­or­munki train­ing — Videos on using color munki along with color the­ory
Guess what it is thread

Assign­ments on our pho­tog­ra­phy bul­letin board:
March 2009 Photo Assign­ment — Wind
March 2009 — Assign­ment — pho­tograph­ing words — Wind

Thanks as always to Susan, Steven K, Jla­bel, Kent Wil­son and Tony who posted a blog com­ment about our last pod­cast and to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.