29 other things to buy after your first DSLR

I recently did a pho­tog­ra­phy pod­cast on buy­ing your first DSLR. In that pod­cast I sug­gested NOT spend­ing a whack of cash on your first cam­era body, and sav­ing it for lenses and acces­sories instead.

Speak­ing of all those accessories…member masp from our pho­tog­ra­phy forum started this thread list­ing other items you’ll need to go with that first DSLR if you want to get seri­ous about pho­tog­ra­phy. It’s a big list for sure but it will give new­bies in par­tic­u­lar a feel for what many advanced shoot­ers con­sider to be essen­tial gear, acces­sories and must have gadgets.

So hat tip to masp once more for this list! Feel free to add your own sug­ges­tions in the com­ments if you feel any­thing is missing.

Here’s a par­tial check­list I’ve put together from my own research and lis­ten­ing to the pod­cast. I’m sure I’ve prob­a­bly left some­thing impor­tant out here or there, so please let me know if you spot any omis­sions or use­ful things I should include. Aster­isks denote the stuff that is more impor­tant or cheap enough to buy first.

A. CAMERA PROTECTION
* 1. UV fil­ter ($10 to 30 to $60?)
* 2. Padded cam­era case
3. Cam­era armor?
* 4. LCD screen cover if not included. (Included for Nikons)
* 5. Viewfinder cover and mag­ni­fier
6. Fancy cam­era strap, like the Black Rapid straps?
* 7. Lens hood for any lenses that lack one. (Also keeps stuff from bang­ing into your lens)

B. CLEANING
* 8. Microfiber cloth and a “huff of breath” (Can’t be more than a few bucks)
9. Air blower. Marko says to buy from a cam­era store, but Ken Rock­well says a $5 air blower from a drug store may suf­fice. Any rea­son to dis­agree with Rock­well here? (I’m kinda cheap )
* 10. Also con­sider a blower brush or lenspen. ($5–10)
* 11. Sil­ica gel — it eats mois­ture in humid con­di­tions (A few bucks)

C. PHOTOGRAPHIC TOOLS
12. Polar­izer and ND fil­ters
* 13. Tri­pod ($50? — $140 + + No rea­son not to buy used though, I think)
14. Maybe a mono­pod for porta­bil­ity, but a tri­pod seems more use­ful.
15. Flash (con­sider buy­ing the most expen­sive one)
* 16. Reflec­tors maybe, or just a cheap piece of card­board wear­ing white cloth­ing.
17. Light meter. Use­ful for stu­dio work mainly.

D. COMPUTER STUFF
* 18. SD or CF reader. Can you go with a cheap one here? As long as is a high speed one, I *think* it’s okay, but I’d hate to cor­rupt my data.
19. Photo printer. Pict­bridge?
20. A decent mon­i­tor that isn’t exces­sively blue, con­trasty or bright (refer­ring to cal­i­bra­tion pod­cast)
21. Mon­i­tor and printer color cal­i­bra­tion tools.
22. Pho­tog­ra­phy soft­ware (I’m going to stick with what’s free for now, but I sup­pose I’ll even­tu­ally buy some soft­ware when I fig­ure out what’s most stan­dard)
23. Color cal­i­bra­tion equip­ment ($400-$1400?). Some may be avail­able for $200 or under. Con­sider buy­ing one before you start doing a lot of editing.

E. MISCELLANY
24. Spare bat­tery ($10 to $30 on Ama­zon, more for brand name)
25. SD or CF card ($20 to $40 depend­ing on desired size)
26. Extra lens and body caps (los­ing the orig­i­nals may lower the resale value of your gear?)
27. Plas­tic trash bags to cover your gear bag if it’s not water­proofed and it starts rain­ing. White ones may dou­ble as reflec­tors if you don’t mind look­ing unpro­fes­sional.
28. Zip lock bags for hold­ing your clean­ing sup­plies and other stuff maybe.
29. Base­ball bat for when some guy on the street tries to grab your cam­era. J/K J/K I don’t con­done vio­lence, except for the Three Stooges variety.

1 bloody good reason to try the camera before you buy

The answer is PAIN.

I recently upgraded cam­eras and pur­chased a Nikon D700. It’s an awe­some cam­era and I love it except for one thing…it does not feel great in my hand. In fact, after using it for a month it has been caus­ing me a good deal of pain in my shoot­ing hand.

SHAME ON ME.

I should know bet­ter, I coun­cil peo­ple to try before they buy and yet I did not fully lis­ten to my own advice. Here’s what hap­pened — I actu­ally tried the D700 for a week­end 4 months ago. On that week­end I shot with the D700 for two peri­ods of about 1 hour and my hand felt fine. I did notice that it was a heavy cam­era but I felt fine so I fig­ured all was good.

SHAME ON ME.

I mean when I go out to shoot nor­mally, on a gig or for plea­sure, I USUALLY shoot for 3–4 hours (plus plus). So test­ing on 2 peri­ods of 1 hour was a huge mis­take. But I was in a “rush” to test the cam­era as it was only on loan for the weekend..and week­ends are often busy.

PLEASE LEARN FROM MY ERROR.

Before you spend a whack of cash on a cam­era, test it for the length of time that you nor­mally shoot with. Try­ing it in the store or for an hour is bet­ter than noth­ing but it’s not an accu­rate test. Rent the cam­era you intend to buy for a week­end espe­cially if it is an expen­sive cam­era. Many larger brick and mor­tar cam­era stores will deduct the rental price off your new cam­era if you end up buy­ing it. For my own case, I think adding a bat­tery grip will solve the prob­lem as it will take the excess weight off my shoot­ing hand and divide it more evenly.….but this could have been avoided if I had fully fol­lowed my own advice.

79 — Customizing your camera for free

Pho­tog­ra­phy pod­cast #79 talks about how to cus­tomize your cam­era using the cus­tom set­tings func­tions in your camera’s menu. There are many, many, many use­ful ways to cus­tomize these set­tings for the way YOU per­son­ally shoot, but many pho­tog­ra­phers don’t use these set­tings or are afraid to touch these set­tings. Many fea­tures that your cam­era offers are set to OFF by default, and the only way to access them is by turn­ing their cus­tom func­tion on in the cus­tom menu of your cam­era. A quick and easy exam­ple is high ISO. On my for­mer 30D from Canon, this set­ting was set to off so my high­est nor­mally avail­able ISO was 1600. With one set­ting change in the cus­tom func­tion menu the high­est avail­able ISO becomes 3200.‚ This pod­cast encour­ages you to play with sim­i­lar (and even bet­ter) set­tings in your camera.

Nikon D700 customization menu
Nikon D700 cus­tomiza­tion menu

Links /resources men­tioned in this podcast:

The Nikon D700 at B&H
March 2010’s Light and Shadow assign­ment on the Photography.ca forum

Please join the Photography.ca fan page on Facebook

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks to Wicked­dark, jack label, f8&Bthere, sephi­box, Fortytwo and Casil403 who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Let your skills rock the everyday scene

As admin of a grow­ing pho­tog­ra­phy web­site I look at a good 20–100 pho­tographs most days of the week. The qual­ity of work that I look at (both on our site and other web­sites) nor­mally ranges from pho­tog­ra­phy enthu­si­ast to pro.

One of the things that sep­a­rates ama­teurs from advanced amateurs/pros is the abil­ity to cre­ate the image rather than wait­ing for some­thing spec­tac­u­lar to hap­pen or find­ing it through serendip­ity. Get­ting to this level involves 3 key things that are 100% attain­able with a few months of reg­u­lar practice.

1 — You need to under­stand basic expo­sure.
2 — You need to under­stand basic com­po­si­tion
3 — You need to under­stand basic lighting.

A per­son that prac­tices all 3 of these things can cre­ate great shots from oth­er­wise mun­dane scenes. IF they are wait­ing for some­thing to hap­pen (like wait­ing for great out­door light),‚ they make sure they are wait­ing at the right time.

Sunset landing by Michael Wollen

Sun­set land­ing by Michael Wollen — Click to see larger version.

The image above by forum mem­ber michaelaw (real name Michael Wollen ) is a great exam­ple. How many times have we looked up at the sky to watch a plane land in the dis­tance. Likely many times. It’s a com­mon scene. Some might even call it banal. But take a look at THIS image. It is care­fully crafted — NO acci­dents here.

Look at the beau­ti­ful light in the sky. Michael waited for this light. Look at the posi­tion of the plane in the sky. Michael waited to freeze the plane in that exact spot. Look at the land­ing pad at the lower part of the image, look at the foliage and shim­mer­ing water in the imme­di­ate fore­ground. They are there on pur­pose. They are there, because Michael put them there. Because Michael put them there at the right time,‚ in the right place, and exposed the image cor­rectly — This pho­to­graph sings and is a plea­sure to look at.

Prac­tice the 3 basics listed above and you too will be armed with the skills needed to cre­ate great pho­tog­ra­phy from com­mon­place scenes.

78 — Winter photography gear

Pho­tog­ra­phy pod­cast #78 talks about how to enjoy win­ter pho­tog­ra­phy. Many pho­tog­ra­phers avoid shoot­ing in the win­ter because‚ it’s too cold and they feel uncom­fort­able. What a huge mis­take. There are so many spec­tac­u­lar win­ter scenes to pho­to­graph and the cold can be tamed with the right gear. The major­ity of the pod­cast is ded­i­cated to how to keep your entire body warm on a cold win­ter day. We talk about shoot­ing at dif­fer­ent lev­els of cold­ness includ­ing very cold tem­per­a­tures like –20 degrees C (-4 degrees F) and colder. We also touch on tips like avoid­ing con­den­sa­tion and pre­serv­ing bat­tery power.

Winter photography gear

Win­ter pho­tog­ra­phy gear

Links /resources men­tioned in this podcast:

Le Baron — Awe­some camping/fishing store in MTL. Great prod­ucts.
SSG Silk Win­ter Glove Lin­ers at Ama­zon
Fox River Four Layer Glomitt on Ama­zon
Polar Ex Glomitt Fleece Mitten/Gloves — Medium-Gray
Gor­dini Da GORE-TEX-‚« Goose II Mit­tens Mens
Heat Max Hot Hands hh2
Lor­pen Hunt­ing Extreme Pri­maloft Socks on Ama­zon
Toe-sters bat­tery pow­ered foot warmers

February’s song title to pho­to­graph assign­ment on the Photography.ca forum

Please join the Photography.ca fan page on Face­book
My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca

My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks to JAS_photo, Micheal van der Tol,‚ jack­la­bel, Zenon5940, f8&Bthere, Bambi, Jason, and Fortytwo who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

77 — Neutral density filters — Graduated neutral density filters — Interview with D. Wiggett

Pho­tog­ra­phy pod­cast #77 fea­tures an inter­view with Dar­win Wiggett where we talk about neu­tral den­sity fil­ters and grad­u­ated neu­tral den­sity fil­ters. Dar­win explains why we use these fil­ters and how to use these fil­ters effec­tively. We dis­cuss hard edge ver­sus soft edge, phys­i­cal ver­sus soft­ware fil­ters, we even talk about reverse grad­u­ated neu­tral den­sity fil­ters. For new­bie pho­tog­ra­phers that have just hatched, Dar­win goes over polar­iz­ing fil­ters as well.

Left - Screw on neutral density filter. Right - The Cokin system

Left — Screw on neu­tral den­sity fil­ter. Right — The Cokin system

Left - Lake with no filter. Right - Lake with polarizer and-2-stop hard edge grad. Notice how much poppier this shot is. The grad reduces the shyd intensity. The polarizer removes the waters reflections thus saturating its colours.

Left — Lake with no fil­ter. Right — Lake with polar­izer and-2-stop hard edge grad. Notice how much ‘pop­pier’ this shot is. The grad reduces the sky’s inten­sity. The polar­izer adds con­trast to the clouds in the sky and inten­si­fies its colour. It also removes the water’s reflec­tions thus sat­u­rat­ing its colours. ‚© Dar­win Wiggett

Left - Tire with Polarizer and-2-stop-hard-grad. Right - Tire with Polarizer plus a 2-stop-hard-edge grad and-a 5-stop solid-ND filter. Note the movement of the foreground brush. This was achieved by using the solid ND filter to get a slow shutter speed

Left — Tire with Polar­izer and-2-stop-hard-grad. Right — Tire with a Polar­iz­ing fil­ter plus a 2-stop-hard-edge grad and-a 5-stop solid-ND fil­ter. Note the move­ment of the fore­ground brush and the soft­ness in the clouds. This was achieved by using the solid ND fil­ter to get a slow shut­ter speed. ‚© Dar­win Wiggett.

The effect of a polarizer on its own. Left - No polarizing filter. Right - The circular polarizing filter lets you see through the water by eliminating the waters reflectivity.

The effect of a polar­izer on its own. Left — No polar­iz­ing fil­ter. Right — The polar­iz­ing fil­ter lets you see through the water by elim­i­nat­ing the water’s reflec­tiv­ity. With the reflec­tions removed, the colour is much more sat­u­rated. ‚© Dar­win Wiggett

Links /resources men­tioned in this podcast:

Seven Rules for Effec­tively Using a Polar­izer
Fil­ters, hold­ers and vignetting: build­ing a fil­ter sys­tem that works with your lenses
The Ter­rific Triple Threat
Fields of Gold (or was that blue?) Three Cam­era Fil­ters all Dig­i­tal Pho­tog­ra­phers Should be Using
Fil­ters for Out­door Pho­tog­ra­phy
January’s macro or close-up assign­ment on the Photography.ca forum
Cokin fil­ters at B&H (Dis­clo­sure — Aff links — help sup­port our site)
Singh-Ray fil­ters at B&H
Lee fil­ters at B&H

Please join the Photography.ca fan page on Face­book
My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca

My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks to jack­la­bel, AcadieLi­bre and Mars observer who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

76 — Point and shoot cameras — Review of Canon G11

Pho­tog­ra­phy pod­cast #76 talks about point and shoot cam­eras and reviews the Canon G11. We talk about the advan­tages and lim­i­ta­tions of point and shoot cam­eras. We also talk about the most impor­tant rea­son for pho­tog­ra­phers to get a point and shoot cam­era and that rea­son is NOT qual­ity.‚ Finally I give a quick review of the Canon G11. I rec­om­mend this cam­era but I’m also bru­tal about its faults.

Image from Canon G11ISO 100, F-7.1, 1/100

Canon G11 man­u­ally focused at ISO 100 — Click to see the nice noise

Canon G11 man­u­ally focused at ISO 800 — Click to see lots of noise

Links /resources men­tioned in this pod­cast:
Canon G11 at B&H (Dis­clo­sure — Aff links — helps sup­port our site)
January’s macro or close-up assign­ment on the Photography.ca forum

Please join the Photography.ca fan page on Face­book
My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca

My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spam­mer.

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks to Glenn Euloth (Igua­nasan), Fortytwo, Crys­talb, jack­la­bel, Bambi, JuiCe and Yise­haq who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

75 — How to buy your first DSLR

Pho­tog­ra­phy pod­cast #75 is geared toward pho­tog­ra­phy enthu­si­asts that have not yet pur­chased their first DSLR cam­era. It encour­ages you to save money on your first DSLR cam­era body because you’ll need it for the lenses and acces­sories as you improve.

Links /resources men­tioned in this pod­cast:
Canon 50D at B&H (Dis­clo­sure — Aff links — helps sup­port our site)
Eos Rebel XSI (450D) at B&H
Nikon D3000 at B&H
Pho­tog­ra­phy forum dis­cus­sion on buy­ing your first DSLR

December’s night pho­tog­ra­phy assign­ment on the Photography.ca forum

Please join the Photography.ca fan page on Face­book
My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca

My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spam­mer.

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks to Greg Nus­pel, Benny, jack­la­bel, Jimmy Brown, Michael Van der Tol, Aaron Hock­ley, raiven, Antz, Dominic, Bambi, Fortytwo, Crys­talb, Yise­haq and Kent Wil­son‚ who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Adding the copyright © symbol to photos

Do you ever search for some­thing repeadly, for­get­ting the “trick” to the answer you’ve already searched. This has hap­pened to me a few times to me already when I want to add the copy­right sym­bol © to an image.

© © © © Â©

Search­ing on Google says just press ALT while press­ing the num­bers 0169, so you try it and it doesn’t work. WHY?

HERE’S THE TRICK — On my Win­dows machine run­ning Vista at least, the 0169 MUST BE PRESSED FROM THE NUMBER PAD NOT the line of num­bers above the letters.

Just as an FYI this © sym­bol by press­ing ALT while press­ing 0169 works in Pho­to­shop, Word, Notepad and likely many other programs.

©

Adding the copyright ‚© symbol to photos

Do you ever search for some­thing repeadly, for­get­ting the “trick” to the answer you’ve already searched. This has hap­pened to me a few times to me already when I want to add the copy­right sym­bol ‚© to an image.

© ‚© ‚© ‚© ‚©

Search­ing on Google says just press ALT while press­ing the num­bers 0169, so you try it and it doesn’t work. WHY?

HERE’S THE TRICK — On my Win­dows machine run­ning Vista at least, the 0169 MUST BE PRESSED FROM THE NUMBER PAD NOT the line of num­bers above the letters.

Just as an FYI this ‚© sym­bol by press­ing ALT while press­ing 0169 works in Pho­to­shop, Word, Notepad and likely many other programs.

©

Should I ditch photography School?

Recently on our pho­tog­ra­phy forum this ques­tion (To go or not to go to pho­tog­ra­phy school) was brought up by forum mem­ber kat. She won­dered whether it was worth it to take a pho­tog­ra­phy pro­gram at the uni­ver­sity level.

It’s a very inter­est­ing ques­tion and it brought me back to my own uni­ver­sity days and reminded me of some­thing a sta­tis­tics pro­fes­sor once told me. He said that the WORST thing you can do (ON AVERAGE for the aver­age per­son) for your life­time earn­ings is to go to uni­ver­sity. This is because while you are going into uni­ver­sity you are rack­ing up debt and not mak­ing money. Obvi­ously for pro­fes­sional degrees (account­ing, med­i­cine, law etc.) there is no other way, but pho­tog­ra­phy is dif­fer­ent. You can either go to pho­tog­ra­phy school or learn pho­tog­ra­phy by your­self, online, by tak­ing work­shops, appren­tic­ing etc.

As for myself, I did go to pho­tog­ra­phy school and com­pleted a 2.5 year pro­gram after uni­ver­sity in the mid 90’s. I don’t regret it one bit, I love knowl­edge and photo school trained my eye quite well.

How­ever — If I were in this posi­tion today would I do the same thing?.…Honestly, I doubt I would.

The world these days is dig­i­tal, and there’s SO much excel­lent online learn­ing that wasn’t there when I stud­ied, plus the dark­room work that was so impor­tant then, has been replaced by digital.

I really think I’d rec­om­mend work­shops and self-learning over a full on pro­gram that takes 2–3 years. Keep in mind that AFTER the 2–3 years nobody will be wait­ing to give you a job, you will have to hus­tle BIG TIME and mar­ket your­self‚ BIG TIME..or else, on aver­age you will fail.

Another sober­ing stat from back in the day is that 2 years AFTER grad­u­at­ing from pho­tog­ra­phy school, only 20–25% of the grad­u­ates will be work­ing pho­tog­ra­phers. That stat still seems accu­rate to me today based on what I‚ see.

So what do you think — Is pho­tog­ra­phy school a waste of time?

74 — Hyperfocal distance — How to use the hyperfocal distance

Pho­tog­ra­phy pod­cast #74 is all about the hyper­fo­cal dis­tance and how to use it in land­scape pho­tog­ra­phy. In a nut­shell, hyper­fo­cal dis­tance is the dis­tance you focus at to get greater depth of field when focus­ing on an object in the dis­tance. In this pod­cast we define what hyper­fo­cal dis­tance is and how to use it for both tra­di­tional (film) pho­tog­ra­phy and in dig­i­tal pho­tog­ra­phy with new DSLRs and lenses.‚ We also talk about when not to use the hyper­fo­cal dis­tance in land­scape photography.

Hyperfocal distance chart

Hyper­fo­cal dis­tance chart from dofmaster.com — used by per­mis­sion; thanks Don Flem­ing!‚ This beau­ti­ful appli­ca­tion from the dofmaster.com site clearly shows that by focus­ing at the hyper­fo­cal dis­tance you gain over 4 feet of sharp­ness toward the fore­ground when you use a 5omm lens at F-16 and focus at 27.1 feet instead of‚ where the object actu­ally is at 50 feet.. Try this test for your­self; shoot 1 shot the reg­u­lar way and 1 shot using the hyper­fo­cal dis­tance. This appli­ca­tion already lists the most com­mon dig­i­tal cam­eras and takes their crop fac­tors into account.

Landscape photography
Left image shot nor­mally while right image was shot at the hyper­fo­cal dis­tance. Even at this small size you can see that the right shot shows a bit more sharp­ness in the midground while the back­ground looks sim­i­lar in both shots. The effects are more notice­able when you print at larger sizes.

Links /resources men­tioned in this podcast:

Dofmaster’s awe­some depth of field cal­cu­la­tor that also cal­cu­lates hyper­fo­cal dis­tance
Dofmaster’s depth of field cal­cu­la­tor for free use with an iphone (need to con­nect to the Net — use this URL from an IPhone ONLYNOT from your com­puter)
Dofmaster’s sim­u­lated depth of field cal­cu­la­tor for free use with an Non-iphones (need to con­nect to the Net)
Dofmaster’s Itunes depth of field cal­cu­la­tor App for $1.99 (No Inter­net con­nec­tion required)
November’s ‘land­scapes in por­trait orientation’‚assignment on the Photography.ca forum
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Thanks to Kat, Glenn Euloth (Igua­nasan), Bambi and Alex Maxim who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

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