Photo of the day — Dec. 22, 2010

Because Mon­treal now has snow every­where, here’s another snowy shot; this time it’s a cat.

Yes­ter­day I was dog walk­ing Zeusy, and a cat spot­ted this 7 pound ter­ror. Zeus started bark­ing insanely but the cat barely moved. (That’s one of the things I love about cats btw. Unlike dogs that waste their energy willy-nilly, cats will only ‘waste’ energy if they have to). All the cat did was get up from where is was rest­ing, locked focus on the dog, and raised it’s hack­les (back fur) which made its body big­ger. Basi­cally the cat was say­ing, “you want a piece of ‚this, come and get it, but I ain’t moving!”

And that’s what drew me to the shot. It’s the cat’s ges­ture that helps sug­gest a story.

Cat with Raised Hackles

Cat with Raised Hackles

I should also men­tion that after we took the shot and moved on the cat sat right back down to rest in the snow.

Vintage photo of the day – Dec. 18, 2010

The vin­tage pho­to­graph of the day is titled Shell by mas­ter Edward Weston and it was shot 83 years ago in 1927. Weston was well known for cap­tur­ing every­day objects in unique ways and many of his every­day inan­i­mate objects take on human body posi­tions and ges­tures. Pep­per No. 30 is another extremely famous Weston photo that also looks human.

One of the things that makes this pho­to­graph fab­u­lous is the ‘ges­ture’ of the shell. It looks like it’s engaged in rest­ing and nor­mally shells aren’t ‘engaged’ in any­thing because they are dead. This shell how­ever does not look dead, it looks sexy. The sharp­ness, com­po­si­tion and light­ing are also superb here. Just as an FYI, Weston shot many dif­fer­ent shells and they all tell dif­fer­ent stories.

Shell by Edward Weston - 1927

Shell by Edward Weston — 1927

Vintage photo of the day ‚œ Dec. 18, 2010

The vin­tage pho­to­graph of the day is titled Shell by mas­ter Edward Weston and it was shot 83 years ago in 1927. Weston was well known for cap­tur­ing every­day objects in unique ways and many of his every­day inan­i­mate objects take on human body posi­tions and ges­tures. Pep­per No. 30 is another extremely famous Weston photo that also looks human.

One of the things that makes this pho­to­graph fab­u­lous is the ‘ges­ture’ of the shell. It looks like it’s engaged in rest­ing and nor­mally shells aren’t ‘engaged’ in any­thing because they are dead. This shell how­ever does not look dead, it looks sexy. The sharp­ness, com­po­si­tion and light­ing are also superb here. Just as an FYI, Weston shot many dif­fer­ent shells and they all tell‚different‚stories.

Shell by Edward Weston - 1927

Shell by Edward Weston — 1927

Vintage photo of the day — Dec. 14, 2010

Today’s image of the day is called Mondrian’s Glasses and Pipe by the late mas­ter Hun­gar­ian pho­tog­ra­pher Andre Kertesz, and it was shot 84 years ago. If you can find this one at a garage sale, keep it, it’s worth a few bucks.

This pho­to­graph is bril­liantly com­posed and that’s why it stands the test of time. Kertesz plays with shapes in a mas­ter­ful way here and uses lead­ing lines to get to those shapes. Tri­an­gles occupy not only the pos­i­tive space, but the neg­a­tive space as well. This cre­ates an incred­i­bly dynamic com­po­si­tion. The cir­cles in the spec­ta­cles as well as the pipe and bowl fur­ther engage us visually.

Mondrian's Glasses and Pipe by Andre Kertesz - 1926

Mondrian’s Glasses and Pipe by Andre Kertesz — 1926

Photo of the day — Dec. 13, 2010 — I said, MUSH!

So I’m dogsit­ting a teeny 7 pound mini-poodle named Zeus for the next 2 weeks and we go out for a quick walk so lit­tle Zeusy can do his busi­ness. It’s snow­ing pretty hard but lit­tle Zeusy keeps trudg­ing for­ward look­ing for inter­est­ing scents to track when all of a sud­den I notice a path made by huge trac­tor tires. The lines go from fore­ground to midground and Zeus is pulling me in them. Imme­di­ately I think of the Grinch’s dog Max and I start laugh­ing. I pull out the Canon G11 and call Zeus’s name and he looks back at me. I take a few shots and then I tell him to ‘Mush!’ as I con­tinue laugh­ing to myself.

What drew me to this image was the humourous aspect and the lines. I noticed the leash’s line enter­ing the frame while I com­posed the image and that made the ‘scene’ even fun­nier sug­gest­ing that I was on a sled being pulled by this lit­tle dog. I guess my point on this one is be on the look­out for lines, they really help tell visual sto­ries!‚ I cropped this image squar­ish because it suited the scene bet­ter and I likely would have taken more time with the scene if L’il Zeusy and I were warmer.

I Said "MUSH!"

I Said “MUSH!” — Taken with the Canon G11

Vintage photo of the day — Dec. 10, 2010

I’ve been fol­low­ing the work of Jan Saudek (note: many graphic nude images on the site — NOT for the timid) for about 15 years and he is a Mas­ter pho­tog­ra­pher. What orig­i­nally drew me to his work is his sto­ry­telling, his non-conventional mod­els and back­grounds, his themes and the hand­colour­ing. Jan has a very notable ‘style’ and you will love him or hate him.

Today’s image of the day is Hun­gry For Your Touch, 1971 by Jan Saudek. I love the angle of this image and the posi­tions of the hands which are rem­i­nis­cent of‚ the Cre­ation of Adam paint­ing. I love the bright light enter­ing the door­way in the back­ground as it makes the theme of the image far richer. With­out the door the image is more about hands and inti­macy. WITH the door though, all kinds of addi­tional themes (at least to me) are sug­gested. These themes include, cre­ation, spir­i­tu­al­ity, union, long­ing and birth. That’s my take on it any­way, what do YOU see?

Hungry For Your Touch, 1971 by Jan Saudek

Hun­gry For Your Touch, 1971 by Jan Saudek

Photo of the day — December 8, 2010

I’ve come to real­ize some­thing about myself‚ lately, I just love detail shots.

There was a crazy snow­storm yes­ter­day so it was the per­fect time to go out­side and take pic­tures. :)

I took about 10 shots of var­i­ous scenes but when it came time to select just one image, I grav­i­tated toward this detail shot below. I had no ‘goal’ in mind except to take a win­tery shot. What attracted my eye to this shot were the lines. Lines in gen­eral are an extremely pow­er­ful com­po­si­tional ele­ment when used cor­rectly. Often they are used to guide the eye to another ele­ment in the image. In this case though, the lines them­selves are part of the sub­ject mat­ter and they just screamed to be photographed.

Winter Mat by Marko Kulik

Win­ter Mat by Marko Kulik

6 photos of the day — December 7, 2010

Last month I went on a photo-tour in the Rock­ies led by Dar­win Wiggett and after the tour was over he asked if we could send over our 6 faves for him to post on his site. Now that they have been posted on his site for a week or so I thought I’d also‚ post them here. Feel free to com­ment or cri­tique any aspect of these images.

Icy Sunrise at Preacher‚„s Point, Abraham Lake, Alberta by Marko Kulik

Icy Sun­rise at Preacher‚„s Point, Abra­ham Lake, Alberta by Marko Kulik

The ice for­ma­tions at Preacher‚„s Point were just awe­some. I could have eas­ily stayed there the entire day and the sun­rise was also one of the best that we had. I spent a good part of the morn­ing on my belly slid­ing on the ice look­ing for cool ice for­ma­tions. Although the ice I laid on was solid, the lake was not totally frozen and I kept hear­ing ice crack­ing sounds which freaked me out quite a bit.

Ice Cave at Beauty Creek, Jasper National Park, Alberta by Marko Kulik

Ice Cave at Beauty Creek, Jasper National Park, Alberta by Marko Kulik

I must have 20 shots of this ‚Ëœice cave‚„. I kept mov­ing closer and closer and closer until my footwear would not let me move any closer or my feet would have been soaked with ice-water. I was super-intrigued with the ice-forms to the right of the cen­tral rush­ing water as they seemed smoke-like to my eye.

Waveform at Coleman Creek, Banff National Park, Alberta by Marko Kulik

Wave­form at Cole­man Creek, Banff National Park, Alberta by Marko Kulik

I really dug Cole­man Creek and had the 105mm Macro on for close up details. The great thing about the 105 (I have the Nikon ver­sion) is that it‚„s also a lovely por­trait lens. When I spot­ted the inter­play between the water and the ice here, I imme­di­ately focused a few feet in front of me. I thought of surf­ing as I cap­tured this waveform.

Junction, North Saskatchewan River, Banff National Park by Marko Kulik

Junc­tion, North Saskatchewan River, Banff National Park by Marko Kulik

The rush­ing water, the ici­cles, as well as the rock faces all caught my atten­tion in this com­po­si­tion. I was also struck by the strong shapes and the inter­play between them.

Icy Tree Reflection at Waterfowl Lake, Banff National Park, Alberta by Marko Kulik

Icy Tree Reflec­tion at Water­fowl Lake, Banff National Park, Alberta by Marko Kulik

I was struck by the painterly feel of this reflected tree in the ice. The cracked ice and tex­tures made for a nice can­vas for the tree‚„s reflection.

Ice Disks, Abraham Lake, Alberta by Marko Kulik

Ice Disks, Abra­ham Lake, Alberta by Marko Kulik

This was a chal­leng­ing shot to get because I cut my pinky fin­ger on the ice maybe 5 min­utes before tak­ing this shot. I was bleed­ing a bit and tried to stop it with kleenex and it worked for a while. Every time I needed real dex­ter­ity though I moved the kleenex and it started up again. Any­way it healed up nicely. Sorry if I spoiled any macro com­po­si­tions for any­one. Wait a sec the inter­play of blood and ice ‚œ that might have been cool! I chose to con­vert this image to black and white because the nat­ural colours of rocks in the back­ground were inter­fer­ing with the form of the ice disks I wanted to highlight.

And those were the 6 that I sent off to Dar­win. Just in case peo­ple are inter­ested to see a few addi­tional shots, I posted 2 threads in our forum here.
http://www.photography.ca/Forums/f11/alberta-rockies-batch-1-a-12807.html
http://www.photography.ca/Forums/f11/alberta-rockies-batch-2-a-12821.html

Vintage photo of the day — December 6, 2010

On Decem­ber 3rd I sug­gested that the image of the day on this blog would mostly be my pho­tog­ra­phy and 3 days later I’m here to tell you that it will be a mix of pho­tog­ra­phy that I per­son­ally find inter­est­ing. Some­times it will be my work but often it will be other people’s and on some days, like today it will be the work of a Master.

Today’s image is by Mas­ter pho­tog­ra­pher Paul Strand and it’s called Young Boy, Gondev­ille, Char­ente, France . I just love the fact that this image is almost 60 years old. It’s a very intense por­trait of a boy star­ing right into the cam­era. What makes this por­trait work for me are the very intense and sharp eyes along with good light­ing that reveals tex­ture in the fence, boy’s hair, face and cloth­ing. The well cho­sen back­ground suits the sub­ject and sug­gests a work­ing envi­ron­ment to me. The print­ing is also won­der­ful with a full range of tones (that show up bet­ter in repro­duc­tions and books ver­sus here on the web).

Young Boy, Gondeville, Charente, France, 1951 by Paul Strand

Young Boy, Gondev­ille, Char­ente, France, 1951 by Paul Strand

Photo of the Day — December 4, 2010 (graphic image)

This image is by one of my all time favorite pho­tog­ra­phers, Joel-Peter Witkin.
I’ve been fol­low­ing his work for around 20 years. The sec­ond I saw his work I was totally mes­mer­ized but there’s very lit­tle middle-ground in terms of lik­ing Witkin’s work, you will like it or not. For me, the atten­tion to detail, the fab­u­lous com­po­si­tions, the very unusual sub­ject mat­ter that he has pho­tographed for decades, and his mas­tery of print­ing make him one of my all time favorite photographers.

Mother of the Future (2004) Joel-Peter Witkin

Mother of the Future (2004) Joel-Peter Witkin

Photo of the day (most days)

As many of you know I spend far too much time in front of the com­puter.‚ Being the admin on Photography.ca and Pets.ca is a great job and even though I do take pic­tures reg­u­larly, I often go many days with­out shoot­ing and this just has to change.

Three weeks ago I went on a photo tour in the Rock­ies with Dar­win Wiggett who has been inter­viewed on our pod­cast a few times already. Man, that Dar­win Wiggett is inspi­ra­tional and I came back on a photo high. Dar­win has been shoot­ing an image a day for well over a year I believe, and he calls it his daily snap. Here is Darwin’s daily snap for today Decem­ber 3rd 2010.

Although I am envi­ous of Darwin’s pas­sion and com­mit­ment, I know myself pretty well. I’ll try hard to post images that are shot by me and oth­ers, or post vin­tage pho­tog­ra­phy that I dig. I’ll even write a few lines about what intrigues me about the images. I should be able to do this sev­eral times a week each week — but not every sin­gle day. Any­way, effec­tive imme­di­ately and thanks again Dar­win for your addi­tional inspi­ra­tion, I’ll start post­ing pho­tos of the day as often as I can.

Here’s an image I shot just yes­ter­day a few meters from my home. The day was very over­cast and windy and pud­dles reflect­ing the city were every­where. The wind caused rip­ples in the water and gave it a painterly feel which caught my eye imme­di­ately. Because the scene already had very lit­tle colour I thought it best to con­vert it to BW using Sil­ver efex pro. Although the shot does feel a bit ‘dark’ to my eye, it did rep­re­sent the mood of the day and the chang­ing sea­sons. Please feel free to cri­tique or com­ment on any aspect of this image.

Puddle Reflection by Marko Kulik

Pud­dle Reflec­tion by Marko Kulik

90 — Tilt shift lenses for landscape photography — Interview w/ Darwin Wiggett

Pho­tog­ra­phy pod­cast #90 fea­tures an inter­view with Cana­dian land­scape pho­tog­ra­pher Dar­win Wiggett. It was recorded on a photo tour in the Alberta Rock­ies led by Dar­win. In the inter­view Dar­win dis­cusses why he often uses a tilt shift lens in land­scape pho­tog­ra­phy. For those that have never heard of a tilt shift lens, it’s a lens that has the abil­ity to tilt and/or shift while attached to your cam­era. The tilt­ing aspect of the lens allows you to get amaz­ing depth of field (REGARDLESS‚ of aper­ture) because the lens can tilt in the same direc­tion as the plane of focus. The shift aspect of the lens allows you to cor­rect non par­al­lel lines in cam­era when pho­tograph­ing a build­ing for exam­ple. It also allows for easy panora­mas. Dar­win is a fab­u­lous teacher so take a lis­ten and it will all make even more sense. We also talk a bit about test­ing your lenses, res­o­lu­tion, aper­ture, depth of field and image circles.

An exam­ple of a tilt shift lens

Note how the image on the right has SUPERB depth of field because the tilt shift lens was TILTED into the plane of focus. Image at left uses a regular wide angle lens.

Note how the image on the right has SUPERB depth of field because the tilt shift lens was TILTED into the plane of focus. Image at left uses a reg­u­lar wide angle lens. ‚©D. Wiggett

Note how the lighthouse is straight in the shot at right due to the shift correction on a tilt shift lens

Note how the light­house is straight in the shot at right due to the SHIFT cor­rec­tion on a tilt shift lens. Image at left uses a reg­u­lar wide angle lens. ‚© D. Wiggett

Links /resources men­tioned in this pod­cast:
Work­shops and photo tours with Dar­win Wiggett
Jay Maisel Doc­u­men­tary for inspi­ra­tion
Show us where you live is the reg­u­lar assign­ment this month on our pho­tog­ra­phy forum
Time (No clocks) is the level 2 assign­ment this month on our pho­tog­ra­phy forum
Nikon’s 24mm tilt shift lens at B&H
Canon’s 24mm tilt shift lens at B&H

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Thanks to Ice­Cream­Man and Benny who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

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