94 — Turning day into night

Pho­tog­ra­phy pod­cast #94 teaches how to turn day into night or late after­noon for por­trait pur­poses. This tech­nique is often used by wed­ding, fash­ion and por­trait pho­tog­ra­phers. The goal of the tech­nique is to make the sky look darker so that the model pops against the sky. This often adds mood and/or drama to a shot. We dis­cuss 2 tech­niques; using flash and cam­era in man­ual non TTL (Through the lens) mode as well as TTL mode. We also touch on flash sync speeds.

This image looks like it was shot in the late after­noon but it was shot at 1pm. Cam­era mode was aper­ture pri­or­ity using TTL flash. Expo­sure com­pen­sa­tion was set to –3 on cam­era and +2 for the direct on cam­era flash. I would have taken the flash off cam­era for a bet­ter light­ing pat­tern but it was minus 15 C and my model only had 5 min­utes in her.

Links /resources men­tioned in this podcast:

Show us your parks is the reg­u­lar assign­ment this month on our pho­tog­ra­phy forum
Macro — closeup  is the level 2 assign­ment this month on our pho­tog­ra­phy forum
If you are inter­ested in writ­ing for our blog please con­tact me photography.ca (   A   T  ) G m ail  Dot co m (using stan­dard email formatting)

Please join the Photography.ca fan page on Facebook

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :)  Pho­tog­ra­phy forum

Thanks to kat, Wicked Dark and Shant M who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes |Sub­scribe via RSS feed |Sub­scribe with Google Reader|Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Thanks for lis­ten­ing and keep on shooting!

Managing Photos with Picasa by Glenn Euloth

I am a geek and I have been a geek for a long time. ‚So, when I first started man­ag­ing my dig­i­tal images I never thought I could trust a piece of soft­ware to look after the files on my com­puter. ‚I would use Win­dows Explorer to copy the files off of my cam­era and into a folder on my hard drive. ‚If I wanted to edit an image I would make a copy first and then edit the copy. ‚It worked great but it was very time consuming.

I tried the Kodak soft­ware that came with my first point and shoot but it was very slow and clunky and didn‚„t come with a decent image edi­tor so I gave up on it and went back to copy­ing files in Windows.

Google bought Picasa from Ide­alab in 2004, branded it, and started giv­ing it away as a free down­load. ‚The Google fan-boy that I am I decided to give it a try and it was instant soft­ware love. ‚I don‚„t know how much of it was Ide­alab and how much of it was Google but I found Picasa to be a won­der­ful piece of soft­ware that did every­thing I needed in a slick, easy to use package.

First up was image import. ‚I no longer had to launch two explorer win­dows, cre­ate a folder and copy the files from my SD card to the new folder. ‚Instead, insert­ing the SD card into my lap­top auto­mat­i­cally launches a win­dow that asks me if I want to import the files into Picasa. ‚All I have to do is click OK. ‚Picasa looks after the copy process and deletes all the images off the SD card after con­firm­ing the copy so I‚„m ready to go shoot­ing again.

Next is the easy edit­ing tools. ‚Once the image is in Picasa I can quickly nav­i­gate to an image and per­form a num­ber of easy edits.

Picasa soft­ware — Click to enlarge

  1. Red-eye removal
  2. Sat­u­ra­tion and sharpening
  3. Con­vert to black and white or sepia
  4. Crop to any dimen­sion or aspect ratio
  5. Facial recog­ni­tion
  6. Straighten the image
  7. Tag and Geotag
  8. And much, much more…

Not only do the edit tools work eas­ily and quickly but Picasa auto­mat­i­cally cre­ates a backup copy of the image and per­forms the edits on the copy so if you make a mis­take or if you want a copy of the orig­i­nal you can always find it or revert back.

I ran into a bit of prob­lem orga­niz­ing my images ini­tially as I was not using Picasa so I had cre­ated a 2009 folder and in it I cre­ated Jan­u­ary, Feb­ru­ary, March, etc. ‚After I started using Picasa I had a very sim­ple way to upload images to Pica­s­aWeb for shar­ing with just a click of a but­ton, how­ever, it used the folder name as the album name on Pica­s­aWeb. ‚This became a prob­lem when I started upload­ing ‚“Jan­u­ary‚ images from 2010 as they got put in the same album on PicasaWeb.

To solve this prob­lem I devel­oped the fol­low­ing strat­egy: ‚At the begin­ning of the month I cre­ate a folder in Picasa with the for­mat YYYY-MM (Mon­th­name), so for exam­ple I have 2011-01 (Jan­u­ary), 2011-02 (Feb­ru­ary), etc. ‚This allows me to store and man­age the images by date with­out wor­ry­ing about dupli­cates and when I want my hol­i­day pho­tos I can eas­ily search for ‚“December‚.

If you are not sure how to man­age your pho­tos or if the soft­ware you are using is awk­ward and not work­ing well for you then I highly rec­om­mend you‚down­load and install it. ‚At the very least you should check out the‚video. ‚Come back next month and I‚„ll talk about advanced image edit­ing with­out hav­ing to spend a lot of money on expen­sive software.

Liv­ing in Hal­i­fax, Nova Sco­tia, Glenn Euloth enjoys trav­el­ling on the pho­to­graphic jour­ney. ‚Visit‚www.euloth.com to join him on the trip or find him on our pho­tog­ra­phy forum under the nick­name of Iguanasan.

Vintage photo of the day Feb. 15, 2011

The vin­tage photo of the day is Side­long Glance by French‚photographer‚Robert Dois­neau and was taken in 1948. Dois­neau is one of France’s most famous pho­tog­ra­phers and many of his images like Kiss by the Hotel de Ville are con­sid­ered iconic.

Sidelong Glance by Robert Doisneau - 1948

Side­long Glance by Robert Dois­neau — 1948

What makes this pho­to­graph so appeal­ing is the sense of story and sense of humour. The woman is look­ing at the art in the‚foreground painting‚but the man sees ‘art’ in a dif­fer­ent paint­ing off to the side. The model’s bare bot­tom in the paint­ing is the bright­est ele­ment in the image so our eye (as well as the man’s rov­ing eye) goes right to it. The point of view of the image, the fab­u­lous tim­ing, as well as the fact that the sub­jects seem unaware that they are being pho­tographed all add to this image’s appeal.

Photography forum image of the month January 2011

Every month on our pho­tog­ra­phy forum mem­bers nom­i­nate images that they like. Then at the end of the month I choose an excel­lent image and talk about why it rocks. The photo I choose is not nec­es­sar­ily the best one of the month. I’ve come to real­ize it’s not really log­i­cal to pit images from totally dif­fer­ent gen­res against each other. That’s why there are cat­e­gories in photo con­tests. I just choose a photo that has extremely strong ele­ments that we can learn from.

A snowy morning by Bambi

A snowy morn­ing by Bambi

This month’s choice is‚A snowy morn­ing by Bambi

I chose this image for sev­eral reasons:

Mood — This image has a won­der­ful mood and this mood is cre­ated by the falling snow, the snow cov­ered branches in the fore­ground against the darker toned trees in the midground and of course the fig­ure in the back­ground. A shal­lower depth of field with the sharpest ele­ments in the fore­ground might not have been the obvi­ous choice for many pho­tog­ra­phers, but it is rock­ing this image big-time! The shut­ter speed catch­ing the sus­pended snow is also help­ing the mood. The Black and white con­ver­sion is very well done, and it suits and enhances the other ele­ments con­tribut­ing to the over­all mood.

Com­po­si­tion — Very well done here! There are ‘lay­ers’ of inter­est­ing things for our eyes to look at start­ing from the fore­ground and con­tin­u­ing to the back­ground where the focal point (the per­son) is. Our eye is well guided through this win­tery ‘tunnel’.

Exposure/shutter speed — Both are well han­dled here. The shut­ter speed ‘freezes‚ ’ the falling snow here. A good expo­sure keeps the whites in check and offers up won­der­ful tonal­ity with a good range of tones. If I have 1 teeny nig­gle I might burn in the light­est branches at top right by maybe 5%.

For all these rea­sons, this is my choice for image of the month. Since we all have opin­ions, some mem­bers may dis­agree with my choice. That’s cool but THIS post is not the place for debate over my pick, NOR is it the place to fur­ther cri­tique the image. The pur­pose here is to sug­gest strong ele­ments in the photo that we may learn from.

Con­grats again Bambi for cap­tur­ing this gor­geous scene!

93 — Black and white photography — qualities that make good bw images

Pho­tog­ra­phy pod­cast #93 is based on a thread in our pho­tog­ra­phy forum by mem­ber asnow where he asks about the qual­i­ties make a good black and white photo. A num­ber of other forum mem­bers help answer the ques­tion and I offer up some per­sonal opin­ions as well. One‚piece‚of good advice involves learn­ing to see in black and white using a dig­i­tal cam­era. Most dig­i­tal cam­eras can cap­ture the image in colour but SHOW it to you on your camera’s screen in black and white. This allows you to learn how coloured tones under a given light look in black and white. (Look up the word mono­chrome in your camera’s instruc­tion man­ual for instruc­tions on how to do this). Live view is also fan­tas­tic as it shows you how the scene will look in BW even before you click the shut­ter. (Many thanks to asnow, raven4ns, Wicked Dark and Andrew for their con­tri­bu­tions to the thread and podcast.)

Snow Tracks - Marko Kulik

Snow Tracks — Marko Kulik

Links /resources men­tioned in this podcast:

The Zone Sys­tem — Wikipedia | The Zone sys­tem on Lumin­ious land­scape
Wicked Dark’s arti­cle Black and White 101

Emo­tion is the reg­u­lar assign­ment this month on our pho­tog­ra­phy forum

Back­light­ing is the level 2 assign­ment this month on our pho­tog­ra­phy forum
If you are inter­ested in writ­ing for our blog please con­tact me photography.ca ( ‚ A ‚ T ‚) G m ail ‚Dot co m (using stan­dard email formatting)

Please join the Photography.ca fan page on Facebook

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :)Pho­tog­ra­phy forum

Thanks to kawarthabob, and kat‚who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the‚Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes |Sub­scribe via RSS feed |Sub­scribe with Google Reader |Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Thanks for lis­ten­ing and keep on shooting!

Vintage photo of the day Jan. 25, 2011

The Vin­tage photo of the day is Rayo­g­ra­phy [Kiss] and was taken by Man Ray in 1922. Man Ray is well known for his pho­to­graphic exper­i­men­ta­tion and for being an “avant-garde” pho­tog­ra­pher in Paris in the Twen­ties and Thir­ties. He also exper­i­mented in sev­eral other dis­ci­plines includ­ing paint­ing an sculpture.

Rayography [Kiss] - Man Ray 1922

Rayo­g­ra­phy — [Kiss] by Man Ray 1922

The image above is a pho­togram which means it was taken with­out a cam­era. Faces and hands were placed over pho­to­graphic paper and exposed to light. Man Ray pre­ferred to call the pho­tograms he cre­ated Rayo­graphs (after himself).

Vintage photo of the day Jan. 17, 2011

The vin­tage photo of the day is from the series Por­tu­gal by Mas­ter Czech pho­tog­ra­pher Josef Koudelka and was taken in 1976. Koudelka is well known for his work pho­tograph­ing Gyp­sies in Slo­va­kia and Roma­nia as well as cap­tur­ing the daily‚interactions‚of peo­ple from many dif­fer­ent (mostly) Euro­pean countries.

Joseph Koudelka - Portugal - 1976

Joseph Koudelka — Por­tu­gal — 1976

What attracts us to this image is the sense of story com­bined with bril­liant com­po­si­tion. I don’t know what the story is here but it’s a drama. Older man waits in back­ground with a shad­owed pro­file over­look­ing a pri­vate con­ver­sa­tion. The woman is smil­ing in pro­file, per­haps try­ing to soothe or coax the young girl, and the child is con­cerned. What is hap­pen­ing to her? For me, this scene is filled with tension.

Com­po­si­tion­ally, this image is a master-class. Angu­lar lines add to the ten­sion in the image. Tri­an­gles (our eyes love‚triangles) are every­where . Cor­ners, angled light rays, noses, table ends, knee bends, elbows are just a few of the tri­an­gles that we see. Look harder and you’ll see more of them…it’s no acci­dent that they are there. Even the inter­ac­tion (both obvi­ous and sub­tle) between the 3‚individuals‚is tri­an­gu­lar. Some fine black and white print­ing with a rich assort­ment of tones further‚adds to this image’s impact.

Photo of the day Jan. 13, 2011

Win­ter is a great time to cap­ture black and whites because most of the colours are cov­ered in snow. ‚It’s also a great time to shoot lines and pat­terns for the same rea­son; the lack of colour empha­sizes their forms. The lines, angles and con­trast caught my eye when I spot­ted this bench and I was happy to have the G11 with me. This was a tricky shot because it was later in the day (less light) and I was hold­ing ‚a loaf of bread and a pie in the other hand as I shot this. While this was on the screen I knew that I’d likely pre­fer the shot if it were flipped as it would make it more abstract.

Bench Lines - ‚© Marko Kulik

Bench Lines — ‚© Marko Kulik

92 — My damn lenses keep vignetting — solving vignetting problems

Pho­tog­ra­phy pod­cast #92 talks about solv­ing vignetting which is the unwanted dark­en­ing around the edges or cor­ners in your pho­tographs. We talk about 2–3 very com­mon rea­sons why even pro­fes­sional lenses that cost a for­tune, STILL suf­fer from vignetting in cer­tain cases. ‚We also talk about why many peo­ple never notice the vignetting in their pho­tographs even though it’s often there.

Mechanical or filter vignetting

This is mechan­i­cal vignetting of a shot of the sky on my F2.8 24mm wide angle lens and is due to too many fil­ters in front of the lens. Shot at left at F2.8. Stop­ping down to F 5.6 (right shot) ‚helps slightly. A bet­ter solu­tion here is to sim­ply use less fil­ters, or wider ones.

Optical vignetting

Opti­cal vignetting on neu­tral sub­ject. Shot at left is at F-5.6 focused on infin­ity using the 300mm end of my 28–300 zoom. Shot at right is at F-11 focused on infin­ity using the 300mm end of my 28–300 zoom‚and the vignetting is almost gone. Both images shot with­out fil­ters of any kind. This type of vignetting can occur in some cases on almost any DSLR lens regard­less of price.‚Listening‚to the pod­cast explains why this happens.

Links /resources men­tioned in this podcast:

Cam­bridge in Colour arti­cle on lenses
Wider Cokin Z fil­ter hold­ers at B&H
Step up rings at B&H
Adapter rings at B&H
Emo­tion is the reg­u­lar assign­ment this month on our pho­tog­ra­phy forum
Back­light­ing is the level 2 assign­ment this month on our pho­tog­ra­phy forum

Please join the Photography.ca fan page on Facebook

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :)Pho­tog­ra­phy forum

Thanks to Jack Label and Sevenwords‚who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the‚Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes |Sub­scribe via RSS feed |Sub­scribe with Google Reader |Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Happy New Year every­one and only the best for 2011 — thanks for lis­ten­ing and keep on shooting!

Vintage photo of the day Jan. 8, 2011

The vin­tage photo of the day is called Saint-Cloud (a sub­urb of Paris, France) by Eugene Atget and was taken in the early 1920’s. Atget is well known for for doc­u­ment­ing the land­scape, urban­scape, parks and street scenes and of ” Old” Paris‚in the late 1800’s and early part of the twen­ti­eth century.

Saint-Cloud by Eugene Atget 1921-1922

Saint-Cloud by Eugene Atget 1921–1922

Although newer pho­tog­ra­phers might look at this image and go “meh”, there’s actu­ally lots of inter­est­ing stuff to look at due to the care­ful com­po­si­tion. The repeat­ing cone-shaped trees and their shad­ows are the focal points of the image and their shapes are some­what repeated by the other trees in the back­ground. Great use of lead­ing lines and shapes cre­ated in both the pos­i­tive and neg­a­tive areas of this pho­to­graph make it far more intrigu­ing than it ini­tially seems.

The‚George‚Eastman‚house also has quite a good col­lec­tion of Atget pho­tographs for those that want to see more of this Master’s work.

http://www.geh.org/fm/atget/htmlsrc/atget_sld00001.html

Photography forum image of the month – December 2010

Every month on our pho­tog­ra­phy forum mem­bers nom­i­nate images that they like. Then at the end of the month I choose an excel­lent image and talk about why it rocks. The photo I choose is not nec­es­sar­ily the best one of the month. I’ve come to real­ize it’s not really log­i­cal to pit images from totally dif­fer­ent gen­res against each other. That’s why there are cat­e­gories in photo con­tests. I just choose a photo that has extremely strong ele­ments that we can learn from.

Golden Glitter by Donna

Golden Glit­ter by Donna

This month’s choice is Golden Glit­ter by Donna

I chose this image for sev­eral reasons:

Com­po­si­tion — I just love the com­po­si­tion here, it’s so pleas­ing to the eye. The rule of thirds is work­ing well for me here with approx­i­mately 1/3 fore­ground, 1/3 midground and 1/3 back­ground when you look hor­i­zon­tally. When you look ver­ti­cally it’s a clas­sic 1/3rd left and 2/3rds to the right. Some peo­ple scoff at the rule of thirds.…scoff away…if the horse were cen­tered here, the image would not be as visu­ally inter­est­ing. The horse was likely delib­er­ately cap­tured in an excel­lent spot which is the bright­est spot in the image. Our eye goes right to the horse. The water line in the midground is another inter­est­ing element.

Colour palette/tonal qual­ity — These are WOW colours for me even though they are quite con­trasty in parts of the image. The colour palette is golden warm, well bal­anced, and the tones are harmonious.

Lighting/exposure — This is tricky light­ing which means tricky expo­sure and it is very well han­dled. The backlighting/sidelighting on the horse has just enough detail on its side to make it inter­est­ing and pro­vide a bit of reflec­tion in the water. The head is par­tially sil­hou­et­ted which adds drama and grabs our eye as pre­vi­ously mentioned.

For all these rea­sons, this is my choice for image of the month. Since we all have opin­ions, some mem­bers may dis­agree with my choice. That’s cool but THIS thread is not the place for debate over my pick, NOR is it the place to fur­ther cri­tique the image. The pur­pose here is to sug­gest strong ele­ments in the photo that we may learn from.

Con­grats again Donna for cap­tur­ing this gor­geous scene!

Photography forum image of the month December 2010

Every month on ourpho­tog­ra­phy forum mem­bers nom­i­nate images that they like. Then at the end of the month I choose an excel­lent image and talk about why it rocks. The photo I choose is not nec­es­sar­ily the best one of the month. I’ve come to real­ize it’s not really log­i­cal to pit images from totally dif­fer­ent gen­res against each other. That’s why there are cat­e­gories in photo con­tests. I just choose a photo that has extremely strong ele­ments that we can learn from.

Golden Glitter by Donna

Golden Glit­ter by Donna

This month’s choice is‚Golden Glit­ter by Donna

I chose this image for sev­eral reasons:

Com­po­si­tion — I just love the com­po­si­tion here, it’s so pleas­ing to the eye. The rule of thirds is work­ing well for me here with approx­i­mately 1/3 fore­ground, 1/3 midground and 1/3 back­ground when you look hor­i­zon­tally. When you look ver­ti­cally it’s a clas­sic 1/3rd left and 2/3rds to the right. Some peo­ple scoff at the rule of thirds.…scoff away…if the horse were cen­tered here, the image would not be as visu­ally inter­est­ing. The horse was likely delib­er­ately cap­tured in an excel­lent spot which is the bright­est spot in the image. Our eye goes right to the horse. The water line in the midground is another inter­est­ing element.

Colour palette/tonal qual­ity — These are WOW colours for me even though they are quite con­trasty in parts of the image. The colour palette is golden warm, well bal­anced, and the tones are harmonious.

Lighting/exposure — This is tricky light­ing which means tricky expo­sure and it is very well han­dled. The backlighting/sidelighting on the horse has just enough detail on its side to make it inter­est­ing and pro­vide a bit of reflec­tion in the water. The head is par­tially sil­hou­et­ted which adds drama and grabs our eye as pre­vi­ously mentioned.

For all these rea­sons, this is my choice for image of the month. Since we all have opin­ions, some mem­bers may dis­agree with my choice. That’s cool but THIS thread is not the place for debate over my pick, NOR is it the place to fur­ther cri­tique the image. The pur­pose here is to sug­gest strong ele­ments in the photo that we may learn from.

Con­grats again Donna for cap­tur­ing this gor­geous scene!