120 — How to Create Interesting Stories Through Your Photography

July 24, 2013 By 5 Comments

Pho­tog­ra­phy pod­cast #120 pro­vides tips on how to cre­ate, craft and tell more inter­est­ing sto­ries through pho­tog­ra­phy.  Some of the aspects we talk about include being active with fram­ing, hunt­ing down the ges­tures and watch­ing the edges.

I’m super-pleased to wel­come  The Cam­era Store (The largest cam­era store in Cal­gary, Alberta, Canada)  as a spon­sor of The Photography.ca pod­cast! I’ve been buy­ing my own gear there and rec­om­mend­ing them for a few years now, and I’m a fussy bug­ger when it comes to both gear and rec­om­men­da­tions. Their cus­tomer ser­vice is sim­ply awe­some and I often find that they have the best prices in Canada. They ship all over Canada.

 

Both these images were taken within the same minute. The bottom image however, tells a stronger story due to the dramatic gesture of the axe in the air.

Both these images were taken within the same minute. The bot­tom image how­ever, tells a stronger story due to the dra­matic ges­ture of the axe in the air, the smoke com­ing from the side of the roof and the fire­man on the right of the roof that’s fac­ing the cam­era. The top image isn’t bad, but it eas­ily loses in a poker match when it goes head to head with the bot­tom image.

 

Meeting - I waited in my window and actively composed this scene last winter. There is a strong suggestion of story here because the person in the background appears to be waiting for the foreground woman. I clicked the shutter only when I felt the timing was right compositionally.

Winter’s Meet­ing — I waited in a win­dow and actively com­posed this scene last win­ter. There is a strong sug­ges­tion of story here because the per­son in the back­ground appears to be wait­ing for the fore­ground woman. I clicked the shut­ter only when I felt the tim­ing was right compositionally.

 

Links /resources men­tioned in this pod­cast:
Long expo­sure images — Photography.ca forum’s reg­u­lar assign­ment — July 2013
Macro pho­tog­ra­phy — Photography.ca forum’s level 2 assign­ment — June 2013
Lay­er­ing images with inter­est­ing ele­ments — Pho­tog­ra­phy pod­cast #102
Shoot in any light - Pho­tog­ra­phy pod­cast #100

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

If you are inter­ested in writ­ing for our blog please con­tact me photography.ca ( A T ) G m ail Dot co m (using stan­dard email formatting)

Please join the Photography.ca fan page on Facebook

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :)  Pho­tog­ra­phy forum

Thanks to Ben W who posted a blog com­ment about our last pod­cast. Thanks as well to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes|Sub­scribe via RSS feed |Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email

You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Thanks for lis­ten­ing and keep on shooting!

Pod­cast: Play in new win­dow | Down­load

Filed Under: Photographs, Photography podcasts, Photography tips, podcasting Tagged With: ,

Comments

  1. Royce Howland says:
    August 17, 2013 at 9:09 pm

    Great pod­cast, Marko! I really echo your com­ments on look­ing out for ges­tures and ges­tur­ing. They bring a dynamic to an image that can really enhance story-telling. When pho­tograph­ing peo­ple, for exam­ple, I try to watch faces, hands and feet in par­tic­u­lar, and get ready to cap­ture a defin­i­tive motion or ges­ture that’s related to what that per­son is doing.

    Reply
  2. marko says:
    August 5, 2013 at 9:52 am

    Thanks for the com­ments Alvin and Ken — Great tips Ken, many thx!

    Reply
  3. Ken Wolter says:
    August 1, 2013 at 7:21 pm

    I have sev­eral tech­niques I use when I find myself strug­gling with com­po­si­tion. First, I switch eyes. I am nat­u­rally a left-eyed shooter. If I switch to my right eye, I see the sub­ject dif­fer­ently and maybe find a bet­ter com­po­si­tion. Sec­ond, I press the depth of field pre­view but­ton on my cam­era. Espe­cially at small aper­a­tures, this can dra­mat­i­cally change the pre­view of the image and guide me to bet­ter com­po­si­tion. Finally, I will set my cam­era at 2 sec­ond delay before tak­ing the pic­ture. In the two sec­onds before the shut­ter actu­ates, I make last instant tiny changes in com­po­si­tion. Nat­u­rally, I would rather see the best com­po­si­tion of an image instinc­tively. But on days when this doesn’t work, these three tricks often guide me to the best shot.

    Reply
  4. Alvin says:
    July 24, 2013 at 8:56 pm

    Impres­sive image of the fire­man with the ax and thank for the tips espe­cially on ges­tures being gold.

    Reply

Trackbacks

  1. Episode 62 ~ Trophy Hunting - Shutter Time With Sid & Mac - Photography Podcast says:
    August 5, 2013 at 1:20 pm

    […] our ques­tions about telling sto­ries with our images, and he answered our ques­tions on his show. In episode 120 – How to Cre­ate Inter­est­ing Sto­ries Through Your Pho­tog­ra­phy  , Marko explains the process very well.  Have a lis­ten, I’m sure it will […]

    Reply

Speak Your Mind

*