Photography podcast #99 discusses how to control brightness in your images. Our eye tends to follow or rest upon bright objects in a photograph and very often these objects or elements are not the focal point of the image thus causing our eyes to wander.
Controlling the brighter elements in a scene takes some planning during shooting, and some work in post-processing but ultimately your images will be stronger. You’ll also have way more control over the final image where you the creator of the image guide the viewer’s eye purposefully.
Links /resources mentioned in this podcast:
– August’s regular assignment on the Photography.ca forum — Numbers — Photograph something with a number
– August’s level 2 assignment on the Photography.ca forum — Creating counterpoints
– Brightness problems and distracting elements — Podcast #44
– Neutral density filters and graduated ND filters — Interview with Darwin Wiggett — Podcast #77
– Dominic Fuizzotto Photography
– Richard Sparey Photography
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Great podcast! I like the mention that it’s fun to break the guidelines once you’ve got them nailed. I love taking still life shots of white objects (e.g. coffee cups, eggs, flowers) on a pure white background. Some of the edges disappear totally and you end up making sense of it by the shadows. V. cool blog.
Hi Marko,
this is not exactly related to this pod cast, but worth mentioning i guess..
Whenever you have posted images in pre and post kinda format( ie without and with some correction), can you please post them side by side, I understand the obvious problem of space but when they are arranged vertically, it becomes a bit difficult to appreciate the changes intended to be shown…Hoping there would b a simple solution to it…
Thanking you
Anuj
Hi Marko, thanks for another informative podcast, keep up the good work.
Great show Marco. As always jam-packed with good info. Have to play it half speed to take it all in I recently bought an ebook (UnderStanding post-processing from M. Kanashkevich) and it also showed how much dodging and burning he does to make an already great capture, an even better final image.