From the same walk
PS.. I know I split the horizon dead center, but didn't know how to quite get the foreground and sun all in the same shot without framing it that way, any suggestions on how to impove on that aspect?
This is a discussion on Fire in the sky C&C within the Critiques forums, part of the Photography & Fine art photography category; From the same walk PS.. I know I split the horizon dead center, but didn't know how to quite get ...
From the same walk
PS.. I know I split the horizon dead center, but didn't know how to quite get the foreground and sun all in the same shot without framing it that way, any suggestions on how to impove on that aspect?
From a photographic point of view, this is a lose, lose situation. The contrast between the brightest and darkest areas of the image is too great. The brightest areas are washed out and the darkest areas could still use more detail. To make matters worse, this is considered a cliché shot by judges in high level evaluations and does not achieve any measure of success and I know that from the personal experience of having submitted similar shots a few decades ago.
Tegan
"Photographic art requires the technical aspects of photography and the design aspects of art, both at an outstanding level."
hi there - an idea if you wanted another angle, to get the horizon less than centered, you may have tried squatting down or laying on your tummy to get a different perspective/aspect... i do agree with tegan about the contrast being too great.
"To make matters worse, this is considered a cliché shot by judges in high level evaluations and does not achieve any measure of success and I know that from the personal experience of having submitted similar shots a few decades ago. - Tegan"
i dont see how this is a relevant critique when paulalynn has stated that she is not a professional, and so probably not entering this type of shot on any kind of "high level evalution", and is more than likely using it as a learning tool. i find this type of critique to be discouraging to us newbies, more of a pat on your own back. the contrast comment was all that needed to be pointed out.
Kiley's bang on with her suggestion to get down. Getting a good shot is easy; getting a great shot often means getting dirty, wet, or both. You could have also tried shooting this in portrait aspect to gain more foreground and move the horizon below centre. I'll also add that your sensor is in desparate need of cleaning.
How do I solve this problem? As stated, I am quite new and just trying to learn on how to do it right... how do I get a balance on contrast when shooting scenes like this? Do I meter off the sun or the ground... how exactly do I meter, do I press the shutter half way down when focusing on either then recompose? I am willing to take any help I can get at this point
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For shots like this your not going to be able to get a shot with the ground and the sky "properly" exposed with the Camera alone, there is just too much difference in the amount of light.
Options:
1. Gradient ND Filter, so that the Sky is exposed less than the ground. but I doubt this will make enough difference for Direct sun shots, or enough to get a good exposure on the ground without blowing out the sun.
2. HDR - High Dynamic Range pics.. where you take several photos of differing exposure, each one having part of the photo exposed as you'd like then re-combining them in PhotoMatix/Photoshop or other HDR tools.
3. Burning/Dodging.. you "might" have enough info in the ground to dodge it back in again, but if you do then it's likely to come back with a lot of noise.
If I was taking this shot, I'd try a Gradient ND firstly (cause I've got one I never use), and then likely do multishots to expose sky/ground and attempt to recombine on the pc.
PK
My comment applies to the learning tool approach as well, since even camera clubs take this view. Photography at any level is learning what to shoot and how to shoot it for maximum effect and visual impact. Only someone who is unwilling to learn the what to shoot part would consider it discouraging. As a matter of fact, false encouragment does more a disservice than an honest critique.
Tegan
"Photographic art requires the technical aspects of photography and the design aspects of art, both at an outstanding level."
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